1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.BZ

2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.BZ

3
00:00:32,168 --> 00:00:35,251
THE DELIGHTS OF THE GARDEN

4
00:01:49,835 --> 00:01:50,793
Here.

5
00:01:51,460 --> 00:01:52,668
- Right.
- Thank you.

6
00:01:52,960 --> 00:01:54,210
Go ahead.

7
00:01:54,376 --> 00:01:56,335
Fermín García López.

8
00:01:56,501 --> 00:01:59,043
Fermín Gar...

9
00:02:00,168 --> 00:02:02,876
- García López, here it is.
- Yes.

10
00:02:03,251 --> 00:02:04,335
Go ahead.

11
00:02:04,501 --> 00:02:06,043
- Hello, good afternoon.
- Hello.

12
00:02:06,210 --> 00:02:07,793
I'm Catalina Björk.

13
00:02:07,960 --> 00:02:10,043
- Björk?
- Yes, like the singer.

14
00:02:10,335 --> 00:02:13,626
Björk, B-J-O with two dots, R-K.

15
00:02:14,168 --> 00:02:15,793
Oh, yes, yes.

16
00:02:15,960 --> 00:02:17,793
- Thanks a lot.
- Thanks.

17
00:02:17,960 --> 00:02:19,085
Look, it's leaving.

18
00:02:21,335 --> 00:02:22,460
Hello.

19
00:02:23,668 --> 00:02:26,376
Look, my friend Grip Face
did this work.

20
00:02:27,460 --> 00:02:30,543
It's about his view of
human being social networks,

21
00:02:30,710 --> 00:02:32,793
and the sensation we all have
of being connected.

22
00:02:33,085 --> 00:02:35,668
Look, it goes up with the elevator,

23
00:02:35,835 --> 00:02:38,001
the image is transformed...

24
00:02:38,168 --> 00:02:42,418
and discusses that inner disconnect
that we're all undergoing,

25
00:02:42,585 --> 00:02:44,793
that void. Look at how
it's transforming.

26
00:02:45,085 --> 00:02:47,960
- It's awesome, eh?
- You're like an art encyclopedia.

27
00:02:49,293 --> 00:02:50,251
Wow.

28
00:02:50,418 --> 00:02:52,085
- Wow. It's awesome.
- What patience. I love it.

29
00:02:52,251 --> 00:02:53,751
- I love it.
- Yes, yes.

30
00:02:54,460 --> 00:02:56,751
A little about a new project

31
00:02:57,043 --> 00:03:00,001
- that I hope will surprise you.
- Fermín?

32
00:03:00,168 --> 00:03:02,460
- Fermín?
- It'll make you laugh a little.

33
00:03:04,043 --> 00:03:07,626
The work we have here
is by Mario Klingemann.

34
00:03:07,793 --> 00:03:11,043
He always works with
the latest technology,

35
00:03:11,210 --> 00:03:14,626
exploring the possibility
of co-creation

36
00:03:14,793 --> 00:03:17,501
between the human being
and the machine.

37
00:03:17,668 --> 00:03:19,376
Presenting AICC,

38
00:03:19,960 --> 00:03:22,751
Artificially Intelligent Critical Canine.

39
00:03:23,210 --> 00:03:26,335
AICC, with its camera eyes,

40
00:03:26,710 --> 00:03:29,168
is able to look at a painting

41
00:03:29,335 --> 00:03:34,085
and thanks to the algorithms
the artist himself has designed,

42
00:03:34,251 --> 00:03:36,710
it can, in real time,

43
00:03:36,876 --> 00:03:39,876
write a review of this painting,

44
00:03:40,043 --> 00:03:43,460
which will come out
from its butt right now,

45
00:03:43,626 --> 00:03:45,251
if we're lucky.

46
00:03:52,085 --> 00:03:54,543
- But... Fuck!
- What are you doing?

47
00:03:54,710 --> 00:03:57,501
- My painting was here.
- Yeah, it was, it was.

48
00:03:57,668 --> 00:03:59,335
Now it's in the racks
in the warehouse

49
00:03:59,501 --> 00:04:02,043
with 80% of the artists
in this collection.

50
00:04:02,210 --> 00:04:04,001
But can they just do that?

51
00:04:04,168 --> 00:04:05,376
- Fermín?!
- Yes?

52
00:04:05,543 --> 00:04:07,210
Remember me? Laura.

53
00:04:07,376 --> 00:04:09,918
We met at Art Basel Miami,
don't you remember?

54
00:04:10,085 --> 00:04:11,876
- Yes, Laura. Laura.
- How are you?

55
00:04:12,043 --> 00:04:14,168
- How are you? Great.
- How are you? You look great.

56
00:04:14,335 --> 00:04:16,460
- Hello. Laura.
- She's my wife.

57
00:04:16,626 --> 00:04:17,918
His gallerist.

58
00:04:18,085 --> 00:04:19,460
Well...

59
00:04:19,626 --> 00:04:21,460
- Well, see you later.
- Okay.

60
00:04:21,626 --> 00:04:23,126
- Yes, at the cocktail party.
- Very well.

61
00:04:23,293 --> 00:04:24,835
- See you later.
- See you later. Ciao.

62
00:04:25,376 --> 00:04:26,626
<i>Fermín,</i>

63
00:04:27,001 --> 00:04:29,710
we've been separated for over 10 years.
Why do you do that?

64
00:04:29,876 --> 00:04:32,293
- I don't know, it just came out.
- Here.

65
00:04:32,460 --> 00:04:34,501
- Your mail.
- Why do you give this to me now?

66
00:04:34,668 --> 00:04:36,918
If not now, I don't know
when I'll be able to.

67
00:04:37,085 --> 00:04:38,168
Sure, but...

68
00:04:38,335 --> 00:04:41,626
You have to change your address,
or all your letters come to me.

69
00:04:41,793 --> 00:04:44,335
But to change my address
I have to register myself,

70
00:04:44,501 --> 00:04:46,835
and I can't do that
in a garage, can I?

71
00:04:47,001 --> 00:04:50,418
Good afternoon.
Welcome to the Solo Collection.

72
00:04:50,585 --> 00:04:53,085
Today is a great day
for future art.

73
00:04:53,251 --> 00:04:56,293
Today I'm honored to present
the international competition

74
00:04:56,460 --> 00:04:59,751
to select the five artists who
will give us their particular version

75
00:04:59,918 --> 00:05:02,751
of one of the most
mind-blowing works

76
00:05:02,918 --> 00:05:04,710
in the history of art.

77
00:05:04,876 --> 00:05:07,085
I'm referring to, as you know,

78
00:05:07,251 --> 00:05:11,585
Hieronymus Bosch's masterpiece
"The Garden of Earthly Delights".

79
00:05:11,751 --> 00:05:13,751
It's like a messenger of time

80
00:05:13,918 --> 00:05:16,960
from the court of Philip II
to the present day

81
00:05:17,126 --> 00:05:19,626
to continue discussing
the great themes

82
00:05:19,793 --> 00:05:21,626
that continue to concern humanity.

83
00:05:21,793 --> 00:05:23,876
Spirituality, vices...

84
00:05:24,043 --> 00:05:25,876
- What a snooze.
- What?

85
00:05:26,043 --> 00:05:27,460
What a snooze.

86
00:05:27,626 --> 00:05:29,668
... the vulnerability of man

87
00:05:29,835 --> 00:05:34,085
and the duality of good and evil,
science and God.

88
00:05:49,001 --> 00:05:52,501
What is it that makes this
hallmark work by Bosch

89
00:05:52,668 --> 00:05:54,460
maintain...?

90
00:05:56,793 --> 00:05:58,210
PABLO SON

91
00:05:58,376 --> 00:05:59,418
Please.

92
00:06:03,793 --> 00:06:05,251
So much fucking cellphone.

93
00:06:05,418 --> 00:06:07,918
I'll go on. Let's see...

94
00:06:08,876 --> 00:06:13,293
What is it that makes this
hallmark work by Bosch

95
00:06:13,460 --> 00:06:15,710
maintain all its power intact?

96
00:06:24,501 --> 00:06:25,543
Pabu.

97
00:06:26,835 --> 00:06:28,543
<i>Pablo, I'm coming!</i>

98
00:06:32,043 --> 00:06:34,126
What's up? Look who's here.

99
00:06:34,293 --> 00:06:36,168
What's going on with you?

100
00:06:36,335 --> 00:06:37,460
- How are you?
- How are you, man?

101
00:06:37,626 --> 00:06:38,793
- Good, and you?
- Really good.

102
00:06:39,085 --> 00:06:41,626
He behaved great. He ate up
a bit of my dad's garden, but...

103
00:06:41,793 --> 00:06:43,501
But all good, all good.

104
00:06:45,710 --> 00:06:47,751
I have zero chance

105
00:06:48,043 --> 00:06:50,501
that Martín Solo will choose me
in his top ten.

106
00:06:50,668 --> 00:06:52,626
- Five.
- Well, five.

107
00:06:52,793 --> 00:06:56,251
You could very well be
in his top five.

108
00:06:56,418 --> 00:06:58,668
Yes, if only, but you saw
what happened.

109
00:06:58,835 --> 00:07:01,168
They took down my painting
that was in the corridor.

110
00:07:01,335 --> 00:07:04,793
<i>Abstract Expressionism is
is totally démodé right now.</i>

111
00:07:05,210 --> 00:07:07,501
You can go back to figurative,
you're good at it.

112
00:07:07,668 --> 00:07:09,918
Figurative... I don't know
what we're doing here.

113
00:07:10,085 --> 00:07:11,293
I've told you a thousand times.

114
00:07:11,460 --> 00:07:13,210
You can't always hide
in your cave.

115
00:07:13,376 --> 00:07:15,960
- You have to go out a bit more.
- Socialize?

116
00:07:16,126 --> 00:07:19,168
Yes, to relate to people.
It's essential in the art world.

117
00:07:19,335 --> 00:07:22,668
Yes, but look, the people here
are Pablo's age.

118
00:07:22,835 --> 00:07:24,251
I don't understand them.

119
00:07:24,418 --> 00:07:26,960
And all so dark,
you can't see anyone.

120
00:07:27,501 --> 00:07:28,835
Look who's there.

121
00:07:29,126 --> 00:07:31,335
- Who?
- Antoñito. I'll say hi to him.

122
00:07:31,710 --> 00:07:34,168
Antonio. Antonio, dear.

123
00:07:34,335 --> 00:07:36,293
- Hello!
- Hello, Pepa!

124
00:07:36,460 --> 00:07:38,585
- How are you?
- How are you?

125
00:07:38,751 --> 00:07:41,293
- I'm so glad you're here.
- Sure. Here I am.

126
00:07:41,460 --> 00:07:43,293
- Everything alright?
- So so.

127
00:07:43,460 --> 00:07:44,751
- Why so so?
- Fine.

128
00:07:44,918 --> 00:07:46,168
- Perfect.
- I'm perfect.

129
00:07:46,335 --> 00:07:47,460
- Perfect. Look.
- Perfect.

130
00:07:47,626 --> 00:07:49,668
Look who's here.
Come over here.

131
00:07:49,835 --> 00:07:51,710
- Hello, Fermín.
- Hi. How are you?

132
00:07:51,876 --> 00:07:55,126
- How are you, Antonio, maestro?
- How are you? Hello.

133
00:07:55,293 --> 00:07:57,501
- How are you? José Gabriel.
- Fermín, how are you?

134
00:07:57,668 --> 00:07:59,710
- Good. María Dolores.
- How are you doing?

135
00:07:59,876 --> 00:08:02,210
Look, I was talking to Fermín

136
00:08:02,376 --> 00:08:05,043
and asking him why he doesn't
go back to figurative work,

137
00:08:05,210 --> 00:08:08,751
he's so good at it,
and enter the open competition.

138
00:08:08,918 --> 00:08:10,585
What do you think? I don't know.

139
00:08:10,751 --> 00:08:12,001
How's your painting going?

140
00:08:12,168 --> 00:08:14,126
Good, I've changed my style.

141
00:08:14,293 --> 00:08:16,543
- I've switched a bit to...
- The Pollocks.

142
00:08:16,710 --> 00:08:18,210
- No, to the Pollocks...
- Well...

143
00:08:18,376 --> 00:08:20,085
- The Pollocks.
- To abstract expressionism.

144
00:08:20,251 --> 00:08:22,210
Yes, more or less.
To the Pollocks.

145
00:08:22,376 --> 00:08:23,710
You paint very well.

146
00:08:24,001 --> 00:08:26,293
What I've seen of yours
I've really liked.

147
00:08:26,460 --> 00:08:28,001
- Thanks a lot.
- Yeah, sure.

148
00:08:28,168 --> 00:08:29,710
The thing is, on changing style...

149
00:08:29,876 --> 00:08:31,668
If you need to change, you change.

150
00:08:31,835 --> 00:08:33,043
Yes, yes.

151
00:08:33,210 --> 00:08:34,835
Anyway, he still looks good...

152
00:08:35,126 --> 00:08:37,835
Excuse me, maestro,
may I take a photo with you?

153
00:08:38,126 --> 00:08:40,376
Sure, with us,
with Fermín and me.

154
00:08:40,543 --> 00:08:42,751
- Yes, well...
- Is that okay?

155
00:08:42,918 --> 00:08:44,835
- Yes. I'm delighted.
- Sure. Yes.

156
00:08:45,126 --> 00:08:46,376
- Oh, how exciting.
- Hello.

157
00:08:46,543 --> 00:08:49,043
I really admire you.
I love your work.

158
00:08:49,210 --> 00:08:51,585
- One...
- Wait, put it more...

159
00:08:52,876 --> 00:08:54,168
One, two...

160
00:08:57,835 --> 00:08:58,918
Thank you.

161
00:09:40,543 --> 00:09:43,335
- Fermín.
- What a scare.

162
00:09:43,501 --> 00:09:45,585
- What's up?
- You gave me a fright!

163
00:09:45,751 --> 00:09:47,793
- Not much. Here...
- Weren't you in Malaga?

164
00:09:48,085 --> 00:09:51,543
- Yes, but what's this?
- The social life, you know.

165
00:09:51,710 --> 00:09:54,793
- Conventions we have.
- Yes, I should be in Malaga,

166
00:09:55,085 --> 00:09:57,335
but I forgot the sketches.

167
00:09:57,501 --> 00:09:58,460
You don't say.

168
00:09:58,626 --> 00:10:00,835
And as usual, I'll end up
making a fool of myself.

169
00:10:01,126 --> 00:10:02,751
- Yes.
- I came to get this.

170
00:10:03,043 --> 00:10:04,376
You never make a fool of yourself.

171
00:10:04,543 --> 00:10:06,751
And you're making
a huge mural, right?

172
00:10:07,043 --> 00:10:10,751
- Is it 10 meters or something?
- 10? It's 70 square meters,

173
00:10:10,918 --> 00:10:14,293
with 9 meters of scaffolding.
I don't know how I get into this.

174
00:10:14,460 --> 00:10:16,126
- You don't say, fuck.
- They tricked me.

175
00:10:16,293 --> 00:10:18,751
I asked for two guys
to move the scaffolding

176
00:10:19,043 --> 00:10:22,001
and a hotel with a spa,

177
00:10:22,168 --> 00:10:24,710
sauna, masseur... everything.

178
00:10:24,876 --> 00:10:28,418
Well done, otherwise with
your tendonitis...

179
00:10:28,585 --> 00:10:30,251
Shit, yeah.
And how are you?

180
00:10:30,418 --> 00:10:31,835
How is it sleeping here?

181
00:10:32,126 --> 00:10:34,501
Fine, you know,
it's temporary, right?

182
00:10:34,668 --> 00:10:36,376
Actually, the house

183
00:10:36,543 --> 00:10:39,251
and the studio in the same place
doesn't usually work. Anyway...

184
00:10:39,418 --> 00:10:42,168
Right, well, be careful.

185
00:10:42,335 --> 00:10:44,168
You're alone here,

186
00:10:44,335 --> 00:10:48,126
but so you know,
if you smell too much solvent

187
00:10:48,293 --> 00:10:50,085
and start laughing by yourself,
get out,

188
00:10:50,251 --> 00:10:53,168
because you're getting high.
Seriously, you can go braindead.

189
00:10:53,335 --> 00:10:57,293
You don't say.
Maybe it'll be a cheap drug.

190
00:10:57,460 --> 00:11:00,085
- Yes.
- Javier, wait, I'll open up.

191
00:11:00,251 --> 00:11:02,668
- See you when I get back.
- Right, yeah, great.

192
00:11:34,126 --> 00:11:36,418
<i>- Hello?
- Dad, it's me.</i>

193
00:11:36,960 --> 00:11:39,126
<i>- Pablo?
- Yes, open up, please.</i>

194
00:11:39,293 --> 00:11:42,210
<i>- What are you doing here?
- I've just got in from India.</i>

195
00:11:42,376 --> 00:11:44,585
I called you
and you hung up.

196
00:11:44,751 --> 00:11:46,626
<i>No, no, no, it's just...</i>

197
00:11:46,793 --> 00:11:49,626
<i>- You're back from India then?
- That's what I'm telling you.</i>

198
00:11:49,793 --> 00:11:52,168
<i>Okay, but weren't you
coming back next week?</i>

199
00:11:52,335 --> 00:11:54,335
Will you open up
and we can talk inside?

200
00:11:54,501 --> 00:11:56,460
<i>Okay, okay, sorry, yes.</i>

201
00:12:10,001 --> 00:12:12,960
Wait, wait.
Stop, stop there.

202
00:12:13,793 --> 00:12:14,793
How are you?

203
00:12:14,960 --> 00:12:16,793
- Good.
- You're looking sharp.

204
00:12:17,085 --> 00:12:19,126
- Yes, well...
- Where have you been?

205
00:12:19,293 --> 00:12:22,001
I've come from an official event.
How are you, son?

206
00:12:23,376 --> 00:12:26,751
Hey, this is great.
You look very handsome, eh?

207
00:12:26,918 --> 00:12:28,751
The India tan.

208
00:12:28,918 --> 00:12:31,668
- Yes. You brought the beast?
- Hey!

209
00:12:31,835 --> 00:12:33,751
- You don't say.
- There he is.

210
00:12:34,043 --> 00:12:36,543
Hey, hey, indeed!

211
00:12:36,710 --> 00:12:37,751
Hey.

212
00:12:39,710 --> 00:12:42,293
- I don't know what we'll do with...
- Relax, relax.

213
00:12:42,460 --> 00:12:46,585
You know the trauma I had
with that Toy Bulldog.

214
00:12:46,751 --> 00:12:48,710
That was ages ago.

215
00:12:48,876 --> 00:12:51,460
But childhood traumas
linger in the memory.

216
00:12:51,626 --> 00:12:53,710
- Look what I brought you.
- Oh, incense, cool.

217
00:12:54,001 --> 00:12:57,043
- What you asked me for, matches...
- Matches?

218
00:12:57,335 --> 00:12:59,793
Do people still use matches?

219
00:13:00,085 --> 00:13:02,793
- Jeez, for everything.
- And this?

220
00:13:03,085 --> 00:13:05,335
And look, a shirt...
one of those you like.

221
00:13:05,501 --> 00:13:07,376
- I love the color. Let's see.
- Saffron.

222
00:13:07,543 --> 00:13:08,751
- How is it? Good?
- Very good.

223
00:13:08,918 --> 00:13:11,710
Terrific.
Listen, did you do any painting?

224
00:13:12,001 --> 00:13:13,668
Yeah, sure. Look.

225
00:13:16,001 --> 00:13:17,251
Very nice.

226
00:13:17,418 --> 00:13:18,918
- Do you like them?
- Yes.

227
00:13:20,418 --> 00:13:24,710
And this? Don't tell me you were
in a Leninist ashram?

228
00:13:24,876 --> 00:13:27,793
No, no. That's Kerala,
it has a Communist government,

229
00:13:28,085 --> 00:13:30,251
so it's full of hammers
and sickles.

230
00:13:30,418 --> 00:13:32,251
- Sure, sure.
- Che Guevara, those things.

231
00:13:32,418 --> 00:13:35,668
Hey, this woman here?
Is this Estela?

232
00:13:36,251 --> 00:13:40,085
- Yes, it's Estela, yes.
- Don't tell me you still paint her.

233
00:13:40,251 --> 00:13:42,043
Well, now and then, yes.

234
00:13:43,918 --> 00:13:46,585
Mom... She's calling me.

235
00:13:46,751 --> 00:13:48,335
Yes, Mom, how are you?

236
00:13:48,918 --> 00:13:51,251
Good. No, here in...

237
00:13:51,418 --> 00:13:54,543
- Dad's studio-house.
- Shall I get out an egg?

238
00:13:54,710 --> 00:13:57,168
For the omelet,
to get it at room temperature.

239
00:13:57,335 --> 00:13:58,668
Oh, okay, yes.

240
00:13:58,835 --> 00:14:02,751
I can't tomorrow,
I'm meeting up with Pabu.

241
00:14:03,043 --> 00:14:06,335
We're going to Leroy Merlin
to buy stuff for the van.

242
00:14:06,501 --> 00:14:08,960
Yes, I'll work on it here. Yes.

243
00:14:09,710 --> 00:14:13,501
No, I haven't told him yet,
but I will now. Yes.

244
00:14:13,668 --> 00:14:17,460
Come around this afternoon.
I'll show you the work.

245
00:14:18,335 --> 00:14:19,960
Yes, Dad likes it.

246
00:14:20,668 --> 00:14:23,418
Right, terrific.
Big kiss. Ciao.

247
00:14:23,585 --> 00:14:25,668
What's this about Leroy Merlin?

248
00:14:25,835 --> 00:14:27,835
That's right...

249
00:14:28,126 --> 00:14:30,418
I'm going to do
the van thing here.

250
00:14:30,585 --> 00:14:32,335
- Here?
- Turn it into a camper van, yes.

251
00:14:32,501 --> 00:14:34,418
- If you don't mind.
- No, I don't mind.

252
00:14:34,585 --> 00:14:37,293
- It's an awesome place.
- Sure, yeah, yeah.

253
00:14:37,460 --> 00:14:40,418
I may have to ask you
for some money. An advance.

254
00:14:40,585 --> 00:14:43,001
- Money...
- I've come back flat broke, Dad.

255
00:14:43,168 --> 00:14:44,418
I don't have any cash.

256
00:14:45,418 --> 00:14:47,168
Then let me have the card.

257
00:14:47,335 --> 00:14:50,585
Well, the card is...
Listen, Pablo, what is this?

258
00:14:50,751 --> 00:14:53,626
- Get down, chubby.
- Jeez, man, this...

259
00:14:53,793 --> 00:14:57,168
- Look, it's covered in hair.
- He's shedding.

260
00:14:57,335 --> 00:15:00,585
Right. I'll do this.
I'll leave you the card, okay?

261
00:15:00,751 --> 00:15:03,710
Don't strain it too much
because the account's not great.

262
00:15:03,876 --> 00:15:08,293
And buy me one of those
hand-held vacuum cleaners, okay?

263
00:15:08,460 --> 00:15:10,793
- Okay.
- But one that works.

264
00:15:11,085 --> 00:15:13,126
- Okay.
- Here you go.

265
00:15:14,085 --> 00:15:15,126
Jeez.

266
00:15:15,293 --> 00:15:16,918
Pabu's helping me too.
You don't mind?

267
00:15:17,085 --> 00:15:18,751
Pabu. Pabu's coming too?

268
00:15:19,043 --> 00:15:21,043
He's got experience with this stuff.

269
00:15:21,210 --> 00:15:22,918
You don't know how
his van turned out, man.

270
00:15:23,793 --> 00:15:25,668
You're rolling a joint here?

271
00:15:25,835 --> 00:15:27,460
Yes. Well, it's CBD.

272
00:15:28,126 --> 00:15:30,668
And this is a fine I've got again.

273
00:15:31,251 --> 00:15:34,043
- For what?
- Shit, I don't know, the car.

274
00:15:34,210 --> 00:15:37,335
I sold it, but it keeps coming back
and back... The eternal return.

275
00:15:38,585 --> 00:15:40,418
Ah, Nietzsche forever.

276
00:15:41,001 --> 00:15:45,210
- How's the CBD?
- Here. Good.

277
00:15:45,376 --> 00:15:47,335
- Yeah?
- It's nice.

278
00:16:21,626 --> 00:16:23,001
Fermín!

279
00:16:26,543 --> 00:16:28,585
- Wait, I'll open up. Wait.
- Jeez.

280
00:16:28,751 --> 00:16:30,585
Come in.

281
00:16:30,751 --> 00:16:32,751
What's with the dog?
It's bigger than you are.

282
00:16:32,918 --> 00:16:36,418
It's my son's. He's back from
India and saddled me with it.

283
00:16:36,585 --> 00:16:38,751
He saddled you with it, sure.
Tie it there.

284
00:16:39,043 --> 00:16:40,710
- I'll put it under here.
- Can you?

285
00:16:41,001 --> 00:16:42,585
There you go. Watch the whisky.

286
00:16:42,751 --> 00:16:45,085
Sit down, sit down.
It's been ages.

287
00:16:45,251 --> 00:16:48,293
- Yes, I don't have much time.
- Sure, don't worry.

288
00:16:48,460 --> 00:16:51,126
- Have you seen the news? Amazing.
- What news? What's going on?

289
00:16:51,585 --> 00:16:55,710
They've found a copy of
"Venus and Adonis" by Velázquez.

290
00:16:56,001 --> 00:16:57,585
What painting is that?

291
00:16:57,751 --> 00:17:01,001
A painting that disappeared
in the Royal Alcázar fire.

292
00:17:01,501 --> 00:17:03,960
Royal Alcázar? What Royal Alcázar?

293
00:17:04,126 --> 00:17:06,751
The Alcázar was where
the Royal Palace is now.

294
00:17:06,918 --> 00:17:09,793
I think about 500 works
burned in that fire.

295
00:17:09,960 --> 00:17:11,251
- You don't say.
- A disaster.

296
00:17:11,418 --> 00:17:12,585
Gosh.

297
00:17:12,751 --> 00:17:16,001
At least the original was purified
by fire. That's something.

298
00:17:16,168 --> 00:17:17,751
- Yes, that's something.
- It's a thing...

299
00:17:17,918 --> 00:17:19,751
- Am I speaking too loud?
- No, no, no.

300
00:17:20,043 --> 00:17:23,585
I have a new hearing aid
and it's not adjusted yet.

301
00:17:23,751 --> 00:17:26,335
- Am I too soft? Can you hear me?
- No, I can hear you fine.

302
00:17:26,501 --> 00:17:29,460
- What'll it be?
- Yes, a shot, please.

303
00:17:29,626 --> 00:17:31,751
And bring me a glass
of water on the side.

304
00:17:32,043 --> 00:17:35,501
And a glass with lots of ice too,
but very cold ice.

305
00:17:35,668 --> 00:17:39,751
- But ice is always cold, sir.
- Not always, there's ice and ice.

306
00:17:39,918 --> 00:17:42,626
Some ice... Quiet down,
I'm talking to the waiter.

307
00:17:42,793 --> 00:17:45,626
Some ice melts quickly
and very good ice

308
00:17:45,793 --> 00:17:48,335
is permafrost ice,
from Antarctica and all that.

309
00:17:48,501 --> 00:17:50,585
- Do you want a drink?
- No, I have to go.

310
00:17:50,751 --> 00:17:53,168
- Look, because I have to...
- Thanks.

311
00:17:53,335 --> 00:17:55,585
I have to go to the post office...

312
00:17:55,751 --> 00:17:57,585
Sorry, they're calling me here.

313
00:17:57,751 --> 00:18:00,085
Excuse me for a second,
I'll see who it is.

314
00:18:00,543 --> 00:18:02,710
It's Julieta, Julieta, yes.

315
00:18:02,876 --> 00:18:05,543
Julieta, go ahead.
No... We'd arranged to meet?

316
00:18:05,710 --> 00:18:08,210
No, that can be done later.

317
00:18:08,376 --> 00:18:10,043
I'm with my friend Fermín.

318
00:18:10,460 --> 00:18:11,793
We arranged to meet today?

319
00:18:12,085 --> 00:18:14,085
No, I'm not drinking.

320
00:18:14,251 --> 00:18:16,418
- Say hello from me.
- Okay, from you.

321
00:18:16,585 --> 00:18:18,543
No, he's having
a non-alcoholic beer.

322
00:18:18,710 --> 00:18:21,210
Me too, I don't drink anymore.
I told you, no, darn it.

323
00:18:21,376 --> 00:18:24,168
That's enough of...
I don't drink, I've never drunk.

324
00:18:24,335 --> 00:18:25,668
Fermín! Fermín!

325
00:18:28,043 --> 00:18:29,668
- There, take it.
- Okay.

326
00:18:31,251 --> 00:18:32,793
Here, your dad's thing.

327
00:18:33,085 --> 00:18:35,668
And when you can,
I need the money for Portugal.

328
00:18:35,835 --> 00:18:38,085
Yes. Sorry, I don't know what
the hell's wrong with the card.

329
00:18:38,251 --> 00:18:40,376
- It's great, son, I love it.
- You do?

330
00:18:40,543 --> 00:18:42,960
Yeah, yeah.
This, look, I love it.

331
00:18:43,793 --> 00:18:44,751
Eh?

332
00:18:45,210 --> 00:18:48,835
The loose outline,
the right tones... Very good.

333
00:18:49,126 --> 00:18:51,585
- Thanks a lot, Mom.
- I think I could find you a gallery.

334
00:18:51,751 --> 00:18:53,585
- Really?
- Not mine, you know.

335
00:18:53,751 --> 00:18:56,585
- Uh, I don't know.
- Son, the figurative has no place.

336
00:18:56,751 --> 00:18:59,418
You know I devote myself to...

337
00:18:59,585 --> 00:19:01,710
the work of artists
at the end of their careers,

338
00:19:01,876 --> 00:19:03,918
with a solid discourse, you know.,

339
00:19:04,085 --> 00:19:06,543
A solid discourse, huh?
Like sheet body and paint, maybe?

340
00:19:06,710 --> 00:19:09,835
- What?
- Lots of sheet metal, then paint...

341
00:19:10,751 --> 00:19:13,793
Do you know about that shark?
The one in formaldehyde?

342
00:19:14,085 --> 00:19:15,585
- What shark?
- What was his name?

343
00:19:15,751 --> 00:19:17,085
- Damien Hirst.
- That's the one.

344
00:19:17,251 --> 00:19:19,710
This guy's gets in with
a big shot in advertising.

345
00:19:19,876 --> 00:19:22,793
- Saatchi, from Saatchi and Saatchi.
- Saatchi and Saatchi.

346
00:19:23,501 --> 00:19:26,460
Anyway, he puts it up for auction...

347
00:19:26,626 --> 00:19:29,126
- Where was it? Christie's?
- No, at Sotheby's.

348
00:19:29,293 --> 00:19:31,876
He puts it up there,
does a ton of publicity and...

349
00:19:32,043 --> 00:19:34,376
he sold it for...
I think it was 12 million.,

350
00:19:34,543 --> 00:19:36,168
- 12 million.
- 12 million.

351
00:19:36,335 --> 00:19:38,376
- That's right.
- Who'd pay 12 million for that?

352
00:19:38,543 --> 00:19:41,918
The same one who paid for it
will resell it and so on.

353
00:19:42,085 --> 00:19:43,876
- And so on.
- They all make money.

354
00:19:44,043 --> 00:19:45,876
Now instead of having
a Lambo in the garage,

355
00:19:46,043 --> 00:19:48,793
it's much cooler to have
a Hirst rising in value there.

356
00:19:48,960 --> 00:19:51,543
- Obviously yes, logically yes.
- Well, it's just that a painting...

357
00:19:51,710 --> 00:19:54,376
- But having a shark in the garage...
- Oh, look who's coming here.

358
00:19:54,543 --> 00:19:56,626
Oh! Look, look.
He always ignores me.

359
00:19:57,418 --> 00:19:59,168
What's wrong?
Have you seen a ghost?

360
00:19:59,335 --> 00:20:01,793
It's worse.
They sent me an obituary.

361
00:20:01,960 --> 00:20:03,668
- What's this?
- Here, read it.

362
00:20:03,835 --> 00:20:05,460
It's a seizure order.

363
00:20:05,626 --> 00:20:08,835
Current accounts,
credit cards, everything.

364
00:20:09,001 --> 00:20:10,960
They're freezing all of it.

365
00:20:11,126 --> 00:20:13,335
I told you, Fermín,
you can't neglect this.

366
00:20:14,043 --> 00:20:18,418
But I've paid all my debts, Pepa.
I even sold my house, damn it.

367
00:20:18,585 --> 00:20:21,626
You paid your debts to the bank,
but not to the tax office, Fermín.

368
00:20:21,793 --> 00:20:23,876
Now the tax office is claiming

369
00:20:24,043 --> 00:20:27,543
your arrears for non-payment,
surcharges, the interest over years.

370
00:20:28,043 --> 00:20:30,001
What a disaster!
You're a mess!

371
00:20:30,168 --> 00:20:32,543
- You'll have to lend me money.
- Why me?

372
00:20:32,710 --> 00:20:34,585
- You're my gallery person, Pepa.
- And?

373
00:20:34,751 --> 00:20:37,251
Gallery owners lend money
to their artists.

374
00:20:37,418 --> 00:20:39,168
No, sorry, that's something
from the last century.

375
00:20:39,335 --> 00:20:42,210
Do I look like a Medici to you?
I've advanced you plenty already.

376
00:20:42,376 --> 00:20:45,543
Money you squandered on
your friendships and your trips.

377
00:20:45,710 --> 00:20:48,876
Why don't you sell these paintings,
even if it's half price?

378
00:20:49,043 --> 00:20:52,168
When will you get that
you can't lower a painter's cachet?

379
00:20:52,335 --> 00:20:55,585
I'd like to get rid of the paintings
I have in storage.

380
00:20:55,751 --> 00:20:59,418
It'd be good for me.
But your dad's case is different.

381
00:20:59,585 --> 00:21:02,501
- Because?
- Because he's painting Pollock style...

382
00:21:02,668 --> 00:21:05,626
Pollock, Pollock... Will you stop
talking about Pollocks, please?

383
00:21:05,793 --> 00:21:08,126
Calvo Serraller,
a very important critic,

384
00:21:08,293 --> 00:21:10,960
said my work combined
the poetics of Rothko

385
00:21:11,126 --> 00:21:12,751
with Malevich's constructivism.

386
00:21:12,918 --> 00:21:15,168
Sprinkled with a little Pollock,
he said that too.

387
00:21:15,335 --> 00:21:17,001
- Yes, he said that too.
- Of course he said it.

388
00:21:17,168 --> 00:21:20,251
Your father has the collectors
all confused.

389
00:21:20,418 --> 00:21:22,960
Before, when he did figurative work,
he had a steady clientele,

390
00:21:23,126 --> 00:21:25,585
but since he's been doing
Abstract Expressionism,

391
00:21:25,751 --> 00:21:29,585
- nobody buys from you.
- One has a right to evolve, no?

392
00:21:29,751 --> 00:21:32,418
An artist can't always be
painting the same thing, I say.

393
00:21:34,293 --> 00:21:36,460
Well... I have an idea.

394
00:21:37,210 --> 00:21:40,210
I'll give you an advance,
but on one condition.

395
00:21:40,543 --> 00:21:41,960
- What?
- What?

396
00:21:42,126 --> 00:21:44,626
- That's right, what?
- You sign up for the Bosch thing.

397
00:21:44,793 --> 00:21:48,543
The Bosch thing? But for that
I'd have to be a figurative painter.

398
00:21:48,710 --> 00:21:51,085
You're not figurative,
but you know that Martín Solo

399
00:21:51,251 --> 00:21:52,710
wants a work by you in his home.

400
00:21:52,876 --> 00:21:55,085
- In the living room?
- In the bathroom, who cares?

401
00:21:55,251 --> 00:21:57,793
- In the bathroom, Pepa, please.
- Sorry.

402
00:21:57,960 --> 00:22:00,251
But the bathroom is a place
as worthy as any other.

403
00:22:00,418 --> 00:22:03,168
- Exactly. You got it.
- See you later.

404
00:22:03,335 --> 00:22:05,960
Fermín, you're in no position
to oppose which work to choose.

405
00:22:06,126 --> 00:22:08,335
No, because if they
choose you at Solo,

406
00:22:08,501 --> 00:22:10,793
they'd give you some money
to sort this out.

407
00:22:11,085 --> 00:22:13,543
And more importantly,
you'd enter the market.

408
00:22:13,710 --> 00:22:15,918
- Right.
- With figurative work, sure.

409
00:22:16,085 --> 00:22:19,043
- But I can't, I can't.
- You can, you can.

410
00:22:19,210 --> 00:22:21,210
- Yes, he can, he can.
- I can?

411
00:22:21,376 --> 00:22:22,376
You can.

412
00:22:22,543 --> 00:22:23,668
- I can switch to figurative?
- 100%.

413
00:22:23,835 --> 00:22:25,835
I don't know, I could do
a work called

414
00:22:26,001 --> 00:22:28,293
"The Delights of the Garden",
for example.

415
00:22:29,710 --> 00:22:31,085
I love it.

416
00:22:31,251 --> 00:22:32,751
You like it?

417
00:22:33,418 --> 00:22:35,251
- I'll make you a transfer now.
- Really?

418
00:22:35,418 --> 00:22:38,251
- Really, into your account.
- No, no, the tax office will take it.

419
00:22:38,418 --> 00:22:39,710
Into mine, if you like.

420
00:22:40,418 --> 00:22:42,543
Let's see...

421
00:22:42,960 --> 00:22:45,751
Well, yes. With the signal
in this place it's impossible.

422
00:22:46,543 --> 00:22:49,293
Here. I'll deposit 3000, okay?

423
00:22:49,460 --> 00:22:51,751
3000, I can't do anything
with 3000.

424
00:22:52,043 --> 00:22:53,626
And I have to pay Pabu.

425
00:22:53,793 --> 00:22:56,668
- And the rent for this garage...
- I came back from India broke.

426
00:22:56,835 --> 00:22:59,085
Very well. Then 5000.

427
00:22:59,251 --> 00:23:01,085
And you make do, okay?

428
00:23:01,585 --> 00:23:04,668
I'm going, I have
some collectors waiting,

429
00:23:04,835 --> 00:23:06,501
I hope, for God's sake.

430
00:23:06,668 --> 00:23:09,668
They can save me from
closing the gallery. See you!

431
00:23:09,835 --> 00:23:11,251
- 'Bye.
- See you.

432
00:23:11,960 --> 00:23:14,418
Now I get the Pollocks,
with that hand.

433
00:23:14,585 --> 00:23:17,668
- How long have you been like this?
- A few years, yes.

434
00:23:18,460 --> 00:23:20,710
Well, don't worry,
I'll help you paint it, okay?

435
00:23:20,876 --> 00:23:22,001
- Really?
- Yes.

436
00:23:22,168 --> 00:23:23,793
- You'll paint it?
- I'll paint it.

437
00:23:23,960 --> 00:23:25,085
Right then.

438
00:23:45,043 --> 00:23:47,251
Have you heard from Estela?

439
00:23:47,418 --> 00:23:51,335
- Estela, I've seen her, yes.
- How is she?

440
00:23:51,501 --> 00:23:54,251
Fine. Don't you talk to her?

441
00:23:56,626 --> 00:23:58,835
No, well, we share songs
now and then.

442
00:23:59,126 --> 00:24:02,043
We put on each other's songs.

443
00:24:02,210 --> 00:24:03,751
- It's weird, but anyway...
- What?

444
00:24:04,168 --> 00:24:06,251
Since we share the account,

445
00:24:06,418 --> 00:24:08,751
sometimes, if I see she's online,

446
00:24:09,043 --> 00:24:11,585
I put on a song,
so she remembers.

447
00:24:11,751 --> 00:24:15,126
- Does she do the same thing?
- Actually, not lately, man.

448
00:24:15,293 --> 00:24:16,251
Right.

449
00:24:17,376 --> 00:24:20,210
Pablo, honestly,
that sounds a bit creepy.

450
00:24:20,376 --> 00:24:22,793
- Right, I know.
- I think you should get over it.

451
00:24:22,960 --> 00:24:26,501
- Sure, sure, yeah, yeah.
- Or get on Tinder.

452
00:24:26,876 --> 00:24:30,460
- Me on Tinder?
- Or do I introduce to you someone?

453
00:24:30,626 --> 00:24:32,085
The guy market is terrible.

454
00:24:32,251 --> 00:24:34,335
Girl friends asks me:
"Do you know anyone?"

455
00:24:34,501 --> 00:24:37,293
I say: "Any requisite?",
"That he showers".

456
00:24:37,460 --> 00:24:40,210
I swear, the level out there...
If he can talk...

457
00:24:40,376 --> 00:24:42,668
It's not so bad.
No, Tinder's not for me.

458
00:24:42,835 --> 00:24:45,376
I'm not into those things, no.

459
00:24:51,376 --> 00:24:54,335
You're working hard there, eh!
Like some coffee?

460
00:24:54,501 --> 00:24:56,126
- No, thanks.
- No, thanks.

461
00:24:56,293 --> 00:24:58,043
Your dad's so nice.

462
00:25:08,960 --> 00:25:10,168
Come on.

463
00:25:16,293 --> 00:25:17,376
See you.

464
00:25:17,793 --> 00:25:20,001
- Ciao.
- Ciao. Ciao.

465
00:25:28,210 --> 00:25:31,960
- We're all a bit nervous.
- Yes, some more than others.

466
00:25:40,168 --> 00:25:43,585
- This is crazy.
- This? I think this guy

467
00:25:43,751 --> 00:25:46,168
was either an only child
or took the wrong mushrooms.

468
00:25:46,335 --> 00:25:47,876
I don't even know where to start.

469
00:25:48,168 --> 00:25:52,251
- That'd be... paradise, right?
- Yes, that's right.

470
00:25:52,418 --> 00:25:56,501
- And the center's the world now.
- Yes, well, the present.

471
00:25:56,668 --> 00:25:59,043
The present, okay.
So here we could put in

472
00:25:59,210 --> 00:26:01,710
the consumer society, capitalism...

473
00:26:01,876 --> 00:26:04,001
Well, socialism, the tax office...

474
00:26:05,876 --> 00:26:09,668
- Fuck, what are you doing?
- If this is a Pollcock...

475
00:26:09,835 --> 00:26:12,043
- A Pollcock...
- We'll cover it up, relax.

476
00:26:12,210 --> 00:26:14,793
- Well, fuck...
- Hey, I was thinking...

477
00:26:14,960 --> 00:26:17,126
- Yes?
- The Prado's near here.

478
00:26:17,293 --> 00:26:19,668
- True, we have the Prado.
- Let's go see it for real, right?

479
00:26:19,835 --> 00:26:23,168
Sure, let's go see it.
We forget about the Prado.

480
00:26:23,335 --> 00:26:25,793
The world's greatest art museum.

481
00:26:26,335 --> 00:26:29,126
- We should go every month...
- How long since you took LSD?

482
00:26:29,668 --> 00:26:33,710
- You want us to go to the Prado high?
- Sure, to see it with his eyes.

483
00:26:34,168 --> 00:26:36,501
- With Bosch's eyes?
- Sure.

484
00:26:36,668 --> 00:26:38,543
Fuck, I don't know. Well...

485
00:28:38,751 --> 00:28:41,376
No, no, no, no.
Not this, not this.

486
00:28:41,543 --> 00:28:43,710
- Not this what?
- Fuck, change the song.

487
00:28:43,876 --> 00:28:45,751
But it's the radio, Pablo.

488
00:28:45,918 --> 00:28:48,085
- The fucking radio.
- Don't you like it?

489
00:28:48,251 --> 00:28:50,460
No, I love it.
It was just our song.

490
00:28:50,626 --> 00:28:52,710
- Whose?
- Estela's and mine.

491
00:28:53,460 --> 00:28:55,543
We'd put it on to... well...

492
00:28:58,376 --> 00:29:01,085
I think I'm coming down.
How long does it last?

493
00:29:01,251 --> 00:29:03,668
Around 5, 6, 7, 8 hours

494
00:29:03,835 --> 00:29:06,585
- It's pretty unstable.
- Okay.

495
00:29:08,126 --> 00:29:12,251
I was reading here that
Bosch never left his city.

496
00:29:12,418 --> 00:29:13,585
- Really?
- Yes.

497
00:29:13,751 --> 00:29:15,710
It seems the guy was checking out

498
00:29:15,876 --> 00:29:18,793
some sacramental plays there,
that were passing by,

499
00:29:19,085 --> 00:29:21,251
so they inspired him
to make the work.

500
00:29:21,418 --> 00:29:25,751
So, in the end El Bosco
was a costumbrist painter, right?

501
00:29:26,043 --> 00:29:28,793
- Yes, something like that.
- Look, let's see...

502
00:29:28,960 --> 00:29:33,210
The "Garden of Earthly Delights"
is clearly a moralistic work

503
00:29:33,376 --> 00:29:36,501
that criticized
the vices of the time, right?

504
00:29:36,668 --> 00:29:38,293
- That's right.
- So...

505
00:29:39,251 --> 00:29:42,710
- Let's see, yes.
- Maybe we can do that, eh?

506
00:29:42,876 --> 00:29:44,501
- Yes?
- I think so, right?

507
00:29:44,668 --> 00:29:47,418
I mean, politics, right?
Politics, but now.

508
00:29:47,585 --> 00:29:51,835
Sure, but if we do that,
we'll be overrun by Hell.

509
00:29:52,126 --> 00:29:55,126
That's true. And Heaven
will be empty for us.

510
00:29:55,793 --> 00:29:57,251
{\an8}What's this?

511
00:29:57,418 --> 00:29:58,668
{\an8}IT WAS A PLEASURE TO MEET YOU

512
00:29:58,835 --> 00:30:02,418
Sorry, please...
I... I can't right now.

513
00:30:02,585 --> 00:30:04,876
A girl I met in Solo.

514
00:30:05,335 --> 00:30:08,335
- Look, Antonio López.
- Yes, Antonio López, yes.

515
00:30:08,501 --> 00:30:10,293
- Nice.
- I was there too.

516
00:30:10,460 --> 00:30:12,460
- What do I tell her?
- Tell her...

517
00:30:12,626 --> 00:30:14,751
- "It was a pleasure to meet you".
- That the pleasure was mine.

518
00:30:14,918 --> 00:30:17,251
- The pleasure was mine.
- Okay, right.

519
00:30:17,418 --> 00:30:21,710
So, as we were saying.
The problem I see above all in...

520
00:30:22,751 --> 00:30:24,210
in the...

521
00:30:24,668 --> 00:30:26,751
"I hope we meet again".

522
00:30:26,918 --> 00:30:29,710
- Here, tell her I hope so too.
- Okay.

523
00:30:29,876 --> 00:30:32,210
So, let's see...

524
00:30:32,626 --> 00:30:35,793
The problem we'll have
is with the present,

525
00:30:35,960 --> 00:30:38,168
the middle section.

526
00:30:38,835 --> 00:30:41,293
- Yes, because it'll be empty too.
- Sure.

527
00:30:41,501 --> 00:30:42,501
Sorry.

528
00:30:43,876 --> 00:30:49,043
"By the way, today at 7 pm
I'm going to an opening of collagists".

529
00:30:49,210 --> 00:30:53,168
- Oh, the girl's an ecologist.
- No, no, she says "collagist".

530
00:30:53,335 --> 00:30:56,418
- I think she's referring to collages.
- Oh, collages, okay, okay.

531
00:30:56,585 --> 00:31:00,085
- Tell her "Okay, I'm in".
- You're going there now?

532
00:31:00,251 --> 00:31:03,585
- Yes, why not? Does it bother you?
- No, it doesn't bother me.

533
00:31:03,751 --> 00:31:07,085
- But we're here with...
- Okay, I'll go briefly and come back.

534
00:31:07,251 --> 00:31:09,085
- You've run off before.
- No, sure.

535
00:31:09,251 --> 00:31:11,960
- Okay, I'm taking a shower, okay?
- Right, see you soon.

536
00:31:17,960 --> 00:31:19,376
Pablo.

537
00:31:19,793 --> 00:31:21,793
I'll take the card, okay?

538
00:31:23,835 --> 00:31:27,460
Pride Positive is a CESIDA project

539
00:31:27,626 --> 00:31:31,126
to fight the stigma
and discrimination

540
00:31:31,293 --> 00:31:33,543
towards people with HIV.

541
00:31:33,710 --> 00:31:39,085
And we need everyone
to smash this stigma.

542
00:31:39,251 --> 00:31:40,626
Bravo!

543
00:31:47,043 --> 00:31:49,043
- How are you?
- Hi, how are you?

544
00:31:49,210 --> 00:31:51,335
- This is my friend Fermín.
- Nice to meet you.

545
00:31:52,043 --> 00:31:53,335
Aurora!

546
00:31:55,626 --> 00:31:58,501
- How are you?
- How are you, Catalina?

547
00:32:00,460 --> 00:32:02,251
- Do you know Fermín?
- Hello, Fermín.

548
00:32:02,418 --> 00:32:03,668
- Hello, Aurora.
- How are you?

549
00:32:03,835 --> 00:32:06,293
My friend the collagist!
Show him your collage!

550
00:32:06,460 --> 00:32:09,376
- Look, this it, Fermín.
- She does wonderful things!

551
00:32:10,626 --> 00:32:11,876
Look, this is my collage, Fermín.

552
00:32:12,043 --> 00:32:15,751
This is a woman who,
if you look from below, is naked.

553
00:32:15,918 --> 00:32:16,876
Great!

554
00:32:17,043 --> 00:32:19,210
- Great!
- Then this monster-man,

555
00:32:19,376 --> 00:32:22,335
who sort of holds her
so she can't move,

556
00:32:22,501 --> 00:32:25,876
because most women with AIDS
in prostitution

557
00:32:26,168 --> 00:32:29,501
have it because their clients
or pimps don't use a condom.

558
00:32:30,293 --> 00:32:32,376
AIDS is always linked more to men,

559
00:32:32,543 --> 00:32:35,210
but I wanted to also talk
about women and AIDS.

560
00:32:35,376 --> 00:32:38,126
- Fermín, you look familiar.
- Fermín García López.

561
00:32:38,293 --> 00:32:40,543
- You don't say.
- He's a super-famous painter.

562
00:32:40,710 --> 00:32:42,376
Of course, yes.

563
00:32:42,543 --> 00:32:43,668
How has your life been?

564
00:32:43,835 --> 00:32:46,168
I've gone through
several stages of painting,

565
00:32:46,335 --> 00:32:49,001
but the collage world is new to me.

566
00:32:49,168 --> 00:32:50,168
I love it.

567
00:32:50,335 --> 00:32:52,835
Nice to meet you,
and to see you, dear.

568
00:32:53,751 --> 00:32:57,168
- I'll come by the workshop one day.
- Of course. You're invited.

569
00:32:57,335 --> 00:32:58,751
- Yes.
- We'll make collages.

570
00:32:58,918 --> 00:33:02,126
- Great.
- Okay? I'd love to. See you later.

571
00:33:09,918 --> 00:33:11,043
Martina.

572
00:33:12,126 --> 00:33:13,251
How are you?

573
00:33:13,710 --> 00:33:15,418
- Cool. And you?
- Great.

574
00:33:16,876 --> 00:33:21,126
I think this place is full of people
waiting for their date.

575
00:33:21,335 --> 00:33:22,460
Yes.

576
00:33:22,626 --> 00:33:25,293
How about we go have
a drink at a terrace?

577
00:33:25,793 --> 00:33:28,043
- I'd rather walk a bit.
- Okay.

578
00:33:28,210 --> 00:33:31,210
Otherwise I feel kind of weird, like...

579
00:33:31,376 --> 00:33:33,710
- it's a job interview.
- No, hey, no.

580
00:33:33,876 --> 00:33:36,293
Right, let's walk a little.

581
00:33:37,043 --> 00:33:40,668
Sorry, I always feel a bit
like this on Tinder dates.

582
00:33:40,835 --> 00:33:42,626
- No, it's fine.
- I feel exposed,

583
00:33:42,793 --> 00:33:45,251
as if I was being analyzed,

584
00:33:45,418 --> 00:33:47,251
psychoanalyzed as a potential partner.

585
00:33:47,418 --> 00:33:51,335
- Do I look like a psychologist?
- You say no, but you never know.

586
00:33:51,501 --> 00:33:53,043
It's true, you never know.

587
00:33:54,043 --> 00:33:57,501
Lavapiés, where people come
to wash their feet.

588
00:33:57,668 --> 00:34:00,210
Being all very Muslim,
they washed their feet.

589
00:34:00,376 --> 00:34:02,168
Sure. Do you know it's a way...?

590
00:34:02,335 --> 00:34:04,710
Foot washing was
a form of gratitude.

591
00:34:04,876 --> 00:34:09,418
- No, I'm from Madrid, Madrid.
- So you're a local boy.

592
00:34:09,585 --> 00:34:12,376
- Not a real local...
- Yes, a real local boy.

593
00:34:12,543 --> 00:34:14,751
One grandfather wasn't.

594
00:34:14,918 --> 00:34:16,543
Are you from La Pampa?

595
00:34:16,710 --> 00:34:19,751
No, La Pampa, I mean,
it's in Buenos Aires, but not...

596
00:34:21,585 --> 00:34:24,460
Not all of Buenos Aires
is La Pampa.

597
00:34:24,626 --> 00:34:28,376
- In what style do you paint?
- My style is...

598
00:34:29,668 --> 00:34:31,793
- realist...
- Okay.

599
00:34:31,960 --> 00:34:33,626
<i>So, what I do in my videos</i>

600
00:34:33,793 --> 00:34:36,835
is to enter a dialogue with
the work of other artists

601
00:34:37,126 --> 00:34:40,543
and how it ends up in me,
in my gaze.

602
00:34:40,710 --> 00:34:43,210
Okay, so you do video-performance.

603
00:34:43,376 --> 00:34:45,501
Yes, and my studio
is in my home.

604
00:34:45,668 --> 00:34:47,585
- But you have a crew...
- But the craziest thing...

605
00:34:47,751 --> 00:34:49,335
No, I do it all myself.

606
00:34:49,501 --> 00:34:53,626
I don't think human beings
are meant to be stuck there,

607
00:34:53,793 --> 00:34:57,626
eight or twelve hours
sitting in front of a screen.

608
00:34:57,793 --> 00:35:01,418
We're not meant to
scratch our pussies

609
00:35:01,585 --> 00:35:03,418
with a glass of wine
and watch Succession.

610
00:35:03,585 --> 00:35:04,751
Exactly.

611
00:35:05,751 --> 00:35:08,085
Hence the back problems as well.

612
00:35:08,251 --> 00:35:09,501
- Absolutely.
- Right?

613
00:35:09,668 --> 00:35:12,126
I should be in some lost field
in Europe

614
00:35:12,293 --> 00:35:15,251
cracking the skull of a German,
a teenager.

615
00:35:15,418 --> 00:35:17,876
And yet, at the end of the day,
they get you to do an Excel.

616
00:35:18,043 --> 00:35:19,335
Exactly.

617
00:35:19,501 --> 00:35:22,335
What I don't quite get is
where you spread your work.

618
00:35:22,501 --> 00:35:25,376
Because it's not a work
you can show in a gallery, is it?

619
00:35:25,543 --> 00:35:27,376
I use social networks, Instagram

620
00:35:27,543 --> 00:35:29,626
and that allows me to show it
all over the world.

621
00:35:29,793 --> 00:35:32,210
- Oh, right, right.
- It's like I have my own gallery.

622
00:35:32,376 --> 00:35:34,626
- I have lots of followers.
- Good, good.

623
00:35:34,793 --> 00:35:37,126
For example, could I be
a follower of yours?

624
00:35:37,293 --> 00:35:39,085
- Sure, sure. Yes.
- Really? What do I have to do?

625
00:35:39,251 --> 00:35:40,251
Nothing, just...

626
00:35:40,418 --> 00:35:41,876
- Excuse me, are you paying by card?
- Yes.

627
00:35:42,168 --> 00:35:45,251
- Do we split the bill?
- No, no, let me treat you, please.

628
00:35:45,418 --> 00:35:48,126
- I'll get it next time, okay?
- Okay, yes, fine.

629
00:35:48,293 --> 00:35:50,293
No, it's... Yes, here.

630
00:35:50,460 --> 00:35:53,876
I think it's very interesting,
because it's a way of...

631
00:35:54,043 --> 00:35:56,835
- Your PIN, sir.
- My PIN?

632
00:36:01,168 --> 00:36:05,168
Hey, how come you went to India?

633
00:36:05,335 --> 00:36:08,085
- To paint, to meditate?
- I went to paint.

634
00:36:08,251 --> 00:36:11,501
- It was an artistic residence and...
- Oh, great.

635
00:36:11,668 --> 00:36:15,043
Yes, the thing is that
after so much time there,

636
00:36:15,210 --> 00:36:18,668
going here and there,
I came back flat fucking broke.

637
00:36:19,210 --> 00:36:22,876
Still, I think I can afford
to invite you to...

638
00:36:23,043 --> 00:36:25,751
- an Indian restaurant.
- No, we'll split it.

639
00:36:26,126 --> 00:36:29,085
Let me get this and you
can next time. All right?

640
00:36:29,251 --> 00:36:31,168
Oh, okay.

641
00:36:31,335 --> 00:36:32,960
Are you sure
there'll be a next time?

642
00:36:33,460 --> 00:36:35,168
The guy's confident.

643
00:36:35,335 --> 00:36:37,043
The thing is...

644
00:36:37,210 --> 00:36:39,210
No, it has to be here. Hold on.

645
00:36:39,376 --> 00:36:42,335
It turns out that
you don't have a red cent.

646
00:36:42,501 --> 00:36:43,835
- No, yeah, yeah.
- I'll get it.

647
00:36:44,001 --> 00:36:46,168
- No, no.
- I'll get it.

648
00:36:46,335 --> 00:36:47,626
No, it has to be here, I swear.

649
00:36:47,793 --> 00:36:50,626
It's fine, Fermín,
these things happen.

650
00:36:50,793 --> 00:36:53,001
- Sure, but I'm mad about the PIN.
- It's fine,

651
00:36:53,168 --> 00:36:56,251
- you just get it another day.
- Yes, I'll get it.

652
00:36:56,418 --> 00:36:58,960
Sometimes I forget
my PINs too.

653
00:36:59,126 --> 00:37:01,835
- Did you like the exhibition?
- I loved the exhibition.

654
00:37:02,001 --> 00:37:03,293
Do you make collages too?

655
00:37:03,460 --> 00:37:05,793
No, my daughter Olivia
makes collages.

656
00:37:05,960 --> 00:37:07,751
- Really?
- Aurora's invited us to her studio.

657
00:37:07,918 --> 00:37:10,460
Do you want to go one day?
A Saturday or a Sunday.

658
00:37:10,626 --> 00:37:12,710
- Yes.
- Oh, hold on.

659
00:37:36,293 --> 00:37:38,418
- That's your daughter?
- Yes.

660
00:37:38,585 --> 00:37:41,376
My mother's Swedish
and my daughters speak Swedish too.

661
00:37:41,543 --> 00:37:46,168
Oh, okay, but I thought Björk
was from your father.

662
00:37:46,335 --> 00:37:48,835
No, no. In fact, my last name
is actually Gutiérrez,

663
00:37:49,001 --> 00:37:51,376
- but I like Björk more, you know?
- Oh, really?

664
00:37:51,543 --> 00:37:54,668
- Sure, it's much cooler.
- It's cooler, so...

665
00:37:54,835 --> 00:37:56,376
- Wonderful.
- ...I call myself Björk.

666
00:37:57,168 --> 00:37:59,126
- Here.
- Oh, great.

667
00:37:59,293 --> 00:38:00,501
Yes. Well, well.

668
00:38:00,668 --> 00:38:02,043
- Come on, a kiss.
- A kiss.

669
00:38:03,168 --> 00:38:05,710
- And thanks a lot.
- Rest up. Thank you.

670
00:38:05,876 --> 00:38:06,835
Yes.

671
00:38:08,793 --> 00:38:11,835
- You live in a garage?
- Well, no, it's my studio.

672
00:38:12,001 --> 00:38:12,960
Cool.

673
00:38:13,126 --> 00:38:16,960
Yes, when I'm working on
a major creative process,

674
00:38:17,126 --> 00:38:19,710
I prefer not to be
apart from my work.

675
00:38:19,876 --> 00:38:22,626
Whenever you want, we'll meet
and I'll do a dialogue on your work.

676
00:38:22,793 --> 00:38:25,293
- Sure, whenever you want.
- We'll talk.

677
00:38:25,460 --> 00:38:28,918
- Right, rest up. See you.
- Likewise. See you.

678
00:38:34,418 --> 00:38:36,501
Hello, hello.

679
00:38:36,960 --> 00:38:38,335
You're alone?

680
00:38:38,501 --> 00:38:40,293
- What's up with Milei?
- Are you fucking with me?

681
00:38:40,460 --> 00:38:44,043
- What's wrong with Milei?
- Okay, now I get it.

682
00:38:44,210 --> 00:38:47,710
- You're a fascist. I can't believe it.
- A fascist, what?

683
00:38:47,876 --> 00:38:50,751
- What do you mean, fascist?
- Hey, wait, wait, wait.

684
00:38:51,418 --> 00:38:53,126
Fascist? I'm a liberal.

685
00:38:53,293 --> 00:38:55,460
- Oh, liberal!
- It has nothing to do with it.

686
00:38:55,626 --> 00:38:58,210
Now will you explain to me
what a liberal is? Go on.

687
00:38:58,376 --> 00:39:00,501
- Go on.
- It's no big deal.

688
00:39:00,668 --> 00:39:02,710
You're an asshole

689
00:39:02,876 --> 00:39:05,376
who only draws peckers.

690
00:39:05,543 --> 00:39:06,585
Wait.

691
00:39:08,460 --> 00:39:10,668
Who are you?
Were you spying on me?

692
00:39:10,835 --> 00:39:12,501
- No.
- Martina!

693
00:39:12,668 --> 00:39:16,251
- Oh, Pablito, holy shit!
- Hey, a bit of respect, eh?

694
00:39:16,751 --> 00:39:19,626
- Who are you, his dad?
- No, no, I'm his studio partner.

695
00:39:19,793 --> 00:39:21,751
And what are you?
A bunch of snow jobbers?

696
00:39:21,918 --> 00:39:23,626
- What's that?
- Liars.

697
00:39:23,793 --> 00:39:25,126
- No, no, no.
- I don't believe you.

698
00:39:25,293 --> 00:39:27,418
- Are these paintings yours?
- No, I wish, I wish.

699
00:39:27,585 --> 00:39:29,418
At least you didn't lie
about something, Pablito.

700
00:39:29,585 --> 00:39:31,751
- No, they're not his either.
- Oh, my God.

701
00:39:31,918 --> 00:39:34,251
Piss off.
I really am a sucker.

702
00:39:35,543 --> 00:39:38,585
Shit, what happened? Milei?

703
00:39:38,751 --> 00:39:42,335
Milei, Milei, yes. I'm never talking
about politics before fucking again.

704
00:39:42,501 --> 00:39:45,585
What you shouldn't do
is talk about Milei.

705
00:39:46,126 --> 00:39:47,835
I mean, really,

706
00:39:48,001 --> 00:39:50,793
how could you think of it
with an Argentinean as well?

707
00:39:50,960 --> 00:39:53,376
Dad, what's the fucking problem
with Milei?

708
00:39:53,543 --> 00:39:55,335
What's your problem with Milei?

709
00:39:55,501 --> 00:39:58,918
Shit, Milei's an ultraliberal
who favors the super-rich.

710
00:39:59,210 --> 00:40:02,626
Ultra, ultra, super, mega,
whacko liberal.

711
00:40:02,793 --> 00:40:05,376
He's just a liberal, Dad.
He's a liberal.

712
00:40:05,543 --> 00:40:07,335
What's the problem? You're always
on about the same thing.

713
00:40:07,501 --> 00:40:10,085
No, the problem is that
he's exploiting the working class.

714
00:40:10,251 --> 00:40:12,793
- No, Dad.
- He's even ruined the middle class.

715
00:40:13,085 --> 00:40:15,460
It's the usual story of socialism.
It's the opposite.

716
00:40:15,626 --> 00:40:17,501
- The opposite?
- Quite the opposite.

717
00:40:17,668 --> 00:40:20,251
Only lies need
government subsidies.

718
00:40:20,418 --> 00:40:23,376
- The truth imposes itself.
- Who said that?

719
00:40:23,543 --> 00:40:25,626
Escohotado. Who else? You should read him.

720
00:40:25,793 --> 00:40:27,376
Come on, don't hassle me.

721
00:40:27,543 --> 00:40:29,710
Dad, one can't talk politics
with you. Let's drop it.

722
00:40:29,876 --> 00:40:31,085
Yes, that's better.
Let's drop it.

723
00:40:32,418 --> 00:40:34,793
<i>- Hey, is this mate?
- She left her mate.</i>

724
00:40:34,960 --> 00:40:38,543
The girl left it.
I've never tried it.

725
00:40:40,460 --> 00:40:42,168
Try it, it's not bad.

726
00:40:44,501 --> 00:40:46,793
I hope it doesn't make me bitter.

727
00:40:46,960 --> 00:40:48,793
How was it with that girl?

728
00:40:49,085 --> 00:40:52,043
Good, good, actually,
she's a very interesting girl.

729
00:40:52,626 --> 00:40:56,335
We were at the exhibition
of some friends of hers and...

730
00:40:56,501 --> 00:40:58,585
Well, she knows a lot about art.

731
00:40:59,335 --> 00:41:01,668
It was very nice talking to her.

732
00:41:01,835 --> 00:41:03,918
But interesting, interesting?

733
00:41:04,210 --> 00:41:06,793
What does 'interesting,
interesting' mean?

734
00:41:06,960 --> 00:41:08,293
Well, if...

735
00:41:08,710 --> 00:41:12,793
If there's anything else
or she's an "ecologist"...

736
00:41:12,960 --> 00:41:15,626
No, no, it's just a friendship.

737
00:41:15,793 --> 00:41:18,335
Look, one thing, do you know...?

738
00:41:18,501 --> 00:41:21,710
Could you make me
one of those Instagrams?

739
00:41:22,210 --> 00:41:24,876
- An Instagram?
- Yes, she's on Instagram, so...

740
00:41:25,168 --> 00:41:26,960
Are you going to become
an influencer now too?

741
00:41:27,126 --> 00:41:28,418
No, no, no. Well, I don't know.

742
00:41:28,585 --> 00:41:30,001
I don't know how to do it.

743
00:41:31,376 --> 00:41:33,293
And can she be tagged?

744
00:41:33,793 --> 00:41:36,293
- What's her name?
- Catalina Björk.

745
00:41:36,835 --> 00:41:41,501
Catalina Björk. Like the singer?

746
00:41:41,668 --> 00:41:43,043
Yes, like the singer.

747
00:41:43,543 --> 00:41:47,085
- Let's see... Is this her?
- Yeah, yeah, yeah.

748
00:41:48,210 --> 00:41:50,335
- See that little heart there?
- Yes.

749
00:41:50,501 --> 00:41:54,293
- This is called "liking".
- If I "like" her, will she know?

750
00:41:54,460 --> 00:41:56,293
Sure, that's what it's for.

751
00:41:56,835 --> 00:42:00,251
But don't "like" everything
or you'll look like a stalker.

752
00:42:00,418 --> 00:42:02,376
- A what?
- A harasser.

753
00:42:02,543 --> 00:42:04,126
No, no, no. A harrasser, no.

754
00:42:04,960 --> 00:42:06,251
No, no, no.

755
00:42:08,168 --> 00:42:10,251
- But do you think this girl...?
- This girl what?

756
00:42:11,001 --> 00:42:12,835
Well, I don't know...

757
00:42:13,126 --> 00:42:16,751
Since she's very cute,
maybe you're getting cocky.

758
00:42:16,918 --> 00:42:19,085
- As you usually do.
- Get out of here.

759
00:42:19,251 --> 00:42:22,585
- She's just a friend, that's all.
- Okay, yeah, yeah.

760
00:42:22,751 --> 00:42:23,793
Well...

761
00:42:23,960 --> 00:42:25,501
I'm going, I'm meeting someone.

762
00:42:26,210 --> 00:42:28,210
- You're meeting up?
- I'm meeting a girl, yes.

763
00:42:28,376 --> 00:42:29,835
- Another one?
- She's less than 2 km away.

764
00:42:30,126 --> 00:42:32,918
- Is that a map or something?
- It's like a map, yes.

765
00:42:33,085 --> 00:42:35,876
But we haven't finished the painting.

766
00:42:36,043 --> 00:42:38,251
We don't even know
what we're going to paint.

767
00:42:38,418 --> 00:42:41,710
For now we have a dick.
Tomorrow we'll see, I don't know.

768
00:42:42,460 --> 00:42:45,251
No need to do it all the time,
it's two in the morning now.

769
00:42:45,418 --> 00:42:46,418
Okay, okay.

770
00:42:46,585 --> 00:42:48,626
And all this is a fucking mess.

771
00:42:48,793 --> 00:42:50,418
I'll tidy it up tomorrow morning.

772
00:42:50,585 --> 00:42:51,835
- Yeah?
- Don't worry.

773
00:42:52,001 --> 00:42:52,960
- Okay.
- Right.

774
00:42:54,001 --> 00:42:55,710
Oh, let me have the card.

775
00:42:55,876 --> 00:42:58,126
The card, shit.
You have to give me the PIN.

776
00:42:58,293 --> 00:43:00,418
- Yes.
- And don't take it from me.

777
00:43:00,585 --> 00:43:02,876
Take it from you?
I told you to get it.

778
00:43:03,168 --> 00:43:05,376
- I didn't realize.
- Because you don't listen to me.

779
00:43:05,543 --> 00:43:08,668
What a mess with the Argentinean.
You pay, I pay and in the end...

780
00:43:08,835 --> 00:43:10,585
- No.
- It's so embarrassing.

781
00:43:11,668 --> 00:43:14,626
Don't worry, okay?
We have this competition.

782
00:43:14,793 --> 00:43:16,126
- Okay.
- 100%.

783
00:43:29,876 --> 00:43:34,501
THE COURT KAMASUTRA THAT WAS
WITH PHILLIP II ON HIS DEATH BED

784
00:43:41,168 --> 00:43:44,710
ROYAL PORN

785
00:43:53,668 --> 00:43:55,876
Hey, go away, go away.

786
00:43:58,543 --> 00:43:59,501
Go away, go away.

787
00:44:25,085 --> 00:44:27,001
You're accused... banned content...
child porn, zoophilia, rape, etc...

788
00:44:28,418 --> 00:44:32,168
...a fine of 1635 euros.

789
00:44:37,543 --> 00:44:39,210
- What's up, Vishnu?
- Pablo.

790
00:44:39,793 --> 00:44:42,460
- What's up?
- Do you have the card?

791
00:44:42,626 --> 00:44:45,085
- Yes. Why?
- No, it's just...

792
00:44:45,251 --> 00:44:46,668
What's all this here?

793
00:44:46,835 --> 00:44:49,501
No, I have to pay a fine
that came up here.

794
00:44:50,085 --> 00:44:52,543
Yes. The police have
got me online.

795
00:44:52,710 --> 00:44:54,918
- The police?
- Yes, I was researching

796
00:44:55,210 --> 00:44:58,376
Phillip II and the Garden of
Earthly Delights, you know.

797
00:44:58,543 --> 00:45:02,085
All this is from...
I entered "royal porn", okay?

798
00:45:02,251 --> 00:45:05,293
And suddenly I had
a real porn page come up.

799
00:45:05,460 --> 00:45:09,418
And right away,
look what I got, man.

800
00:45:09,585 --> 00:45:12,418
- Let's see...
- They want money from me.

801
00:45:12,585 --> 00:45:15,418
No, shit, Dad, this is a con.

802
00:45:15,585 --> 00:45:18,751
- A con by who?
- Nigerians, Russians, who knows?

803
00:45:18,918 --> 00:45:21,835
But it has the seal
of the National Police.

804
00:45:22,126 --> 00:45:23,835
Yes, sure, because they do it...

805
00:45:24,126 --> 00:45:25,835
This one's a bit crappy
I must say, but...

806
00:45:26,001 --> 00:45:28,543
Are you sure?
Shit, don't tell me...

807
00:45:29,293 --> 00:45:31,335
Here's the National Police,

808
00:45:31,501 --> 00:45:34,126
a tweet saying this is a con.

809
00:45:34,293 --> 00:45:37,501
In fact, look, it's the same
screen shot that you saw.

810
00:45:37,668 --> 00:45:39,710
- Fuck.
- Relax.

811
00:45:39,876 --> 00:45:41,293
Really...

812
00:45:41,626 --> 00:45:44,835
And when you click on porn,
go to the usual ones, right?

813
00:45:45,001 --> 00:45:48,251
I don't know, Xvideos, Pornhub...

814
00:45:48,418 --> 00:45:50,210
But I'm not clicking on porn.

815
00:45:50,376 --> 00:45:51,918
It's the first one that came up.

816
00:45:52,210 --> 00:45:54,335
Don't give me a hard time now.

817
00:45:54,501 --> 00:45:57,793
"Portrait of Geraldine Chaplin"
by Antonio Saura.

818
00:45:58,626 --> 00:46:01,460
One of the founders
of the El Paso group.

819
00:46:01,960 --> 00:46:03,251
Chusa!

820
00:46:04,418 --> 00:46:07,085
- Is this art or can I toss it?
- Please, not now.

821
00:46:10,460 --> 00:46:12,251
She's asking if the painter is alive.

822
00:46:12,418 --> 00:46:14,710
No, no, Saura passed away
some years ago.

823
00:46:20,418 --> 00:46:21,668
Good.

824
00:46:22,585 --> 00:46:25,085
"Scar", by Rafael Canogar.

825
00:46:25,251 --> 00:46:28,293
Another historic
Spanish abstract painter.

826
00:46:31,293 --> 00:46:34,251
They ask if they can see
his studio, visit him.

827
00:46:34,418 --> 00:46:38,001
No, no, no, it's far away,
quite far, in Toledo.

828
00:46:40,335 --> 00:46:44,793
Pepa, they want to know
if the artist is alive,

829
00:46:44,960 --> 00:46:47,876
if they can take selfies with him,
visit his studio,

830
00:46:48,168 --> 00:46:50,251
because this way his work
rises in value, right?

831
00:46:50,418 --> 00:46:53,126
An artist who's also about
to see St. Peter, right?

832
00:47:16,126 --> 00:47:18,251
<i>- Who is it?
- It's me.</i>

833
00:47:18,418 --> 00:47:20,335
<i>I've brought you something.</i>

834
00:47:21,335 --> 00:47:23,251
- Who is it?
- Your mother.

835
00:47:23,418 --> 00:47:24,710
Gallery owner.

836
00:47:27,918 --> 00:47:29,460
Churritos!

837
00:47:29,960 --> 00:47:32,001
I know it's rather late, but...

838
00:47:34,668 --> 00:47:36,710
Don't tell me you just woke up.

839
00:47:37,418 --> 00:47:38,626
Do you know what time it is?

840
00:47:38,793 --> 00:47:41,418
I worked late last night.

841
00:47:41,585 --> 00:47:43,835
Right. Put these on a plate.

842
00:47:44,168 --> 00:47:45,460
Make some coffee, son.

843
00:47:45,751 --> 00:47:49,460
I work better at night,
I concentrate better.

844
00:47:49,626 --> 00:47:51,376
Well, the news.

845
00:47:52,210 --> 00:47:55,793
Some Chinese collectors
are interested in your work.

846
00:47:56,085 --> 00:47:58,793
- Oh, really?
- Yes. In one of your Pollocks.

847
00:47:59,085 --> 00:48:01,293
But first they'd like
to take some selfies,

848
00:48:01,460 --> 00:48:03,751
- check out the studio, you know.
- Okay.

849
00:48:03,918 --> 00:48:06,501
- If you don't mind.
- I don't mind. Are they rich?

850
00:48:06,668 --> 00:48:09,376
And in a rush. They're here for
a few days and want to see it all.

851
00:48:09,543 --> 00:48:13,585
The Prado, the Segovia Aqueduct,
the Valley of the Fallen, everything.

852
00:48:13,876 --> 00:48:16,460
They want an artist
that's about to croak,

853
00:48:16,626 --> 00:48:19,251
for a quick revaluation and such.

854
00:48:19,418 --> 00:48:21,668
- Fuck, Pepa.
- It's fine. You know how this works.

855
00:48:21,835 --> 00:48:25,418
- Don't take it personally.
- How can I not take it personally?

856
00:48:25,585 --> 00:48:27,793
I remind you, you're in
no position to get all fancy.

857
00:48:27,960 --> 00:48:30,335
- Now you have to be on stand-by.
- What?

858
00:48:30,501 --> 00:48:32,751
Stay here, because I may
bring them at any moment.

859
00:48:32,918 --> 00:48:35,543
- Who?
- The Chinese, Fermin. The Chinese.

860
00:48:35,710 --> 00:48:38,418
- Oh, okay, okay.
- So, how's your Garden going?

861
00:48:38,585 --> 00:48:39,543
Good.

862
00:48:45,585 --> 00:48:46,626
I mean...

863
00:48:49,501 --> 00:48:50,501
Really?

864
00:48:50,668 --> 00:48:52,585
- What's wrong?
- I don't believe it.

865
00:48:53,210 --> 00:48:55,543
What do we have now, five years?

866
00:48:55,710 --> 00:48:57,626
No, that'll be covered up,
it's the base.

867
00:48:57,793 --> 00:48:59,668
Shut up, please, shut up.

868
00:49:00,085 --> 00:49:01,835
Is that all you have on your mind?

869
00:49:02,126 --> 00:49:04,210
And it annoys you
that I call you "Little Willie".

870
00:49:05,751 --> 00:49:08,585
Give your dad some coffee,
Maybe he'll wake up and paint.

871
00:49:09,376 --> 00:49:12,085
You have 17 days
to do the triptych, Fermín.

872
00:49:12,251 --> 00:49:15,418
17 days. And we have no idea
what we're going to do.

873
00:49:15,585 --> 00:49:16,585
Yes.

874
00:49:16,751 --> 00:49:19,626
- That Catalina got to you.
- What?

875
00:49:19,793 --> 00:49:22,251
No, no. I'm here,
just killing time.

876
00:49:22,418 --> 00:49:25,126
Sure. You'll end up being
an Instagrammer.

877
00:49:25,293 --> 00:49:27,210
But careful, girls can smell that.

878
00:49:27,376 --> 00:49:29,668
- If you get too obsessed...
- They smell it?

879
00:49:29,835 --> 00:49:32,710
- They smell it, they smell it.
- No, well, you'd know, right?

880
00:49:32,876 --> 00:49:34,835
You never stop hooking up.

881
00:49:35,001 --> 00:49:38,751
No, it seems like it from outside,
but then I don't follow through.

882
00:49:38,918 --> 00:49:40,168
- You don't follow through?
- No.

883
00:49:40,335 --> 00:49:42,543
At the last moment
I think of Estela all the time.

884
00:49:42,710 --> 00:49:44,376
I have to make up an excuse.

885
00:49:44,543 --> 00:49:47,543
- Milei, or something...
- Look, forget about Estela.

886
00:49:47,710 --> 00:49:49,085
- No, yes, I know.
- Come on, let's get to this.

887
00:49:49,251 --> 00:49:51,085
- What can we do?
- Let's see...

888
00:49:51,251 --> 00:49:53,751
We said the corruption thing
didn't work, right?

889
00:49:53,918 --> 00:49:57,168
No, our Hell was full up
and Heaven emptied out.

890
00:49:57,335 --> 00:50:00,210
We can go ahead meanwhile
painting the background,

891
00:50:00,376 --> 00:50:03,751
the trees, the lakes,
see what we come up with.

892
00:50:04,418 --> 00:50:06,251
Maybe we can make it
about painters.

893
00:50:06,418 --> 00:50:08,085
- Painters?
- Yes, I don't know.

894
00:50:08,251 --> 00:50:11,126
Well, that'd be nice,
but there are so many painters

895
00:50:11,293 --> 00:50:13,918
we'd end up making
an encyclopedia of art.

896
00:50:14,710 --> 00:50:15,793
I know, right?

897
00:50:15,960 --> 00:50:18,210
Do you realize this peeling wall
looks like Europe?

898
00:50:18,626 --> 00:50:20,543
- Yes.
- Look, France, Spain...

899
00:50:20,710 --> 00:50:22,335
It's true, shit, it's true.

900
00:50:22,501 --> 00:50:24,501
Maybe we can do it
on Spanish painters.

901
00:50:24,668 --> 00:50:26,918
- Spanish painters?
- To narrow it down a bit.

902
00:50:27,085 --> 00:50:30,668
Yes, good idea. Okay.
Who do we put in Paradise?

903
00:50:30,960 --> 00:50:32,793
- Velázquez.
- Goya.

904
00:50:32,960 --> 00:50:35,960
- Zurbarán.
- Sorolla, Ribera.

905
00:50:36,126 --> 00:50:38,293
Okay, that's covered.

906
00:50:38,460 --> 00:50:40,543
- In the center.
- The center, the present, yes.

907
00:50:40,710 --> 00:50:43,376
- Antoñito López, right?
- Antonio López, of course.

908
00:50:43,543 --> 00:50:46,876
- Then the classics, Dalí, Miró...
- Miró. Okay.

909
00:50:47,168 --> 00:50:48,960
- Picasso.
- No, not Picasso.

910
00:50:49,126 --> 00:50:50,960
Picasso was a son of a bitch,
he goes into Hell.

911
00:50:51,126 --> 00:50:53,751
Sure, but we're only talking
about the artistic side.

912
00:50:53,918 --> 00:50:55,960
- We forget the rest, right?
- Okay.

913
00:50:56,126 --> 00:50:58,376
An in Hell, I'd put in...

914
00:50:58,543 --> 00:51:01,668
- Renoir.
- Renoir? He's French, man.

915
00:51:01,835 --> 00:51:04,418
Sure, but we can make
an exception, can't we?

916
00:51:04,585 --> 00:51:06,668
- An exception or several.
- Or several.

917
00:51:06,835 --> 00:51:10,418
- We can put in... Damien Hirst.
- Damien Hirst, Jeff Koons...

918
00:51:10,585 --> 00:51:12,918
- Tracey Emin.
- Tracey Emin. Okay.

919
00:51:13,085 --> 00:51:15,085
- End of cycle!
- End of century, she says.

920
00:51:15,251 --> 00:51:17,126
Let's put in artists from
the end of the century.

921
00:51:17,293 --> 00:51:20,585
Sure. Which artists could be
end of the century?

922
00:51:20,751 --> 00:51:22,001
No, no! Finished!

923
00:51:22,835 --> 00:51:24,751
- End of cycle!
- Oh, sorry, thanks.

924
00:51:24,918 --> 00:51:26,126
- Yes.
- Yes, sorry.

925
00:51:26,293 --> 00:51:27,460
- Thanks.
- Thanks.

926
00:51:27,626 --> 00:51:29,751
- Fuck.
- Fuck, it's all run.

927
00:51:29,918 --> 00:51:32,460
The Indian shirt.
We'll look like Hare Krishnas.

928
00:51:32,626 --> 00:51:33,668
Gosh.

929
00:52:23,501 --> 00:52:27,210
He who has the ideas
puts on the music.

930
00:52:36,751 --> 00:52:38,210
Explain it to him.

931
00:52:48,501 --> 00:52:51,918
I'm thinking the painters thing
isn't going to work.

932
00:52:53,210 --> 00:52:54,210
Because?

933
00:52:54,710 --> 00:52:58,960
They have to be painted very small
and they won't be recognized.

934
00:52:59,501 --> 00:53:02,043
Do you know, for example,
what Zurbarán looked like?

935
00:53:02,710 --> 00:53:06,793
Or those from Hell, Jeff Koons,
Damien Hirst and those people?

936
00:53:06,960 --> 00:53:09,835
- Yes, I mean, no.
- By the way, what's this here?

937
00:53:11,418 --> 00:53:15,043
- Saturn devouring his son.
- Oh, Saturn, but it looks like me.

938
00:53:15,210 --> 00:53:19,210
Will you put that away, please?
We're not going to make it.

939
00:53:19,376 --> 00:53:22,626
Okay, okay. I'll change the music,
this is a pain in the ass.

940
00:53:23,585 --> 00:53:26,126
- The painter chooses the music, right?
- Okay.

941
00:53:39,001 --> 00:53:41,210
- You're pissed off.
- I'm not pissed off.

942
00:53:41,376 --> 00:53:43,293
- You're in a bad mood.
- You put me in a bad mood.

943
00:53:43,460 --> 00:53:46,335
- I put you in a bad mood?
- Yes. You come here, invade my home,

944
00:53:46,501 --> 00:53:48,751
drink my beer, smoke my dope,

945
00:53:48,918 --> 00:53:52,210
plus I have to put up with
your far-right conspiracies.

946
00:53:52,376 --> 00:53:54,668
Is everything you don't like far right?

947
00:53:54,835 --> 00:53:56,543
- It's fascism, Pablo.
- Oh, yeah, it's fascism.

948
00:53:56,710 --> 00:53:59,210
Look, fascism doesn't exist.
It hasn't for years.

949
00:53:59,376 --> 00:54:01,335
It all has to be renamed fascism

950
00:54:01,501 --> 00:54:03,085
or your house of cards falls down.

951
00:54:11,001 --> 00:54:13,543
I love liberalism,
it's a wonderful theory.

952
00:54:13,710 --> 00:54:16,585
Liberalism is the only system
that believes in human kindness.

953
00:54:16,751 --> 00:54:18,626
Not like socialism,
which believes we're all bastards

954
00:54:18,793 --> 00:54:21,418
- trying to take advantage of everyone.
- Aren't we?

955
00:54:21,585 --> 00:54:23,085
Maybe yes, but socialism...

956
00:54:23,251 --> 00:54:26,668
- Don't explain socialism to me, okay?
- Okay, it's misanthropic.

957
00:54:26,835 --> 00:54:29,043
- Misanthrope.
- Do you believe we need a guy

958
00:54:29,210 --> 00:54:31,876
on top of us, telling us what
to do and what not to do?

959
00:54:32,043 --> 00:54:34,418
- That's democracy, Pablo.
- Fuck democracy.

960
00:54:37,251 --> 00:54:40,418
You're irresponsible, Pablo.
You do what the fuck you like.

961
00:54:40,585 --> 00:54:43,876
You know very well that
even if I work 12 hours,

962
00:54:44,043 --> 00:54:46,251
in this profession
I won't make a cent.

963
00:54:46,418 --> 00:54:48,460
I either served drinks or I paint.

964
00:54:48,626 --> 00:54:51,001
You're telling me?
You think I've made it big?

965
00:54:51,168 --> 00:54:55,251
- Without a devouring father, maybe.
- A devouring father. I'm Saturn.

966
00:54:55,793 --> 00:54:57,460
Eating my children.

967
00:54:57,626 --> 00:55:00,085
And a lady holding exhibitions
for you since day one.

968
00:55:03,001 --> 00:55:05,751
I could've become a lawyer
or some shit like that.

969
00:55:05,918 --> 00:55:08,876
But no. Sure, since the kid
is good at painting,

970
00:55:09,043 --> 00:55:11,251
- we must encourage him. Look...
- Because it's true.

971
00:55:11,418 --> 00:55:12,918
"Why aren't you a painter
like your father?"

972
00:55:13,210 --> 00:55:16,501
- Because you're good at it, Pablo.
- I'm good at it, Dad.

973
00:55:16,668 --> 00:55:19,210
You have no idea
how it works, damn it.

974
00:55:19,376 --> 00:55:22,126
Right now it doesn't matter
if you're a good painter.

975
00:55:22,293 --> 00:55:25,668
Now what matters is followers,
likes, green hair, the character...

976
00:55:25,835 --> 00:55:28,501
Look, Pablo, we've helped you
every way we can.

977
00:55:29,210 --> 00:55:31,585
You haven't helped me at all,

978
00:55:31,751 --> 00:55:33,918
not one exhibition
in Mom's gallery.

979
00:55:34,085 --> 00:55:36,585
What do you want us to do?
We can't do everything for you.

980
00:55:36,751 --> 00:55:39,126
You have to have
your own life as well,

981
00:55:39,293 --> 00:55:41,501
your own independence,
your own initiative.

982
00:55:41,668 --> 00:55:43,626
- I'm leaving, okay? I'm leaving.
- You're leaving?

983
00:55:43,793 --> 00:55:46,501
- Yes, I'm leaving.
- If you do, don't come back.

984
00:55:48,001 --> 00:55:51,168
Hold on, hold on.
Leave me the card.

985
00:55:52,210 --> 00:55:53,626
My card?

986
00:55:53,793 --> 00:55:56,668
Yes, because the card money
is to do the painting.

987
00:56:19,668 --> 00:56:22,501
Right, we'll do a simple spread.
Past, present, future.

988
00:56:23,001 --> 00:56:26,126
No! Wait, wait.
The toll of the spirits.

989
00:56:26,293 --> 00:56:29,168
- What toll?
- The toll you pay the spirits.

990
00:56:29,335 --> 00:56:32,626
Can't you pay with
spiritual money or with...?

991
00:56:32,793 --> 00:56:34,918
- No, no, no.
- Oh, okay.

992
00:56:35,085 --> 00:56:36,251
Cash.

993
00:56:36,418 --> 00:56:39,710
- Do I send you a Bizum now?
- Whenever you want, but yes.

994
00:56:39,876 --> 00:56:41,168
- I'll do it later.
- Okay.

995
00:56:41,335 --> 00:56:43,918
- In case I don't like it.
- The past. First one.

996
00:56:44,876 --> 00:56:46,376
The Lovers.

997
00:56:47,501 --> 00:56:51,293
The Lovers is a card that could
mean a loving relationship,

998
00:56:52,126 --> 00:56:54,501
thrilling, arousing.

999
00:56:56,293 --> 00:56:59,335
- That's great, right?
- If I hadn't come out upside down.

1000
00:56:59,835 --> 00:57:02,501
So it means something
more philosophical,

1001
00:57:02,668 --> 00:57:05,501
like that love shouldn't be
so much the end

1002
00:57:05,668 --> 00:57:08,501
- as the road to follow.
- That's nice.

1003
00:57:08,668 --> 00:57:10,293
Very well, the present.

1004
00:57:12,793 --> 00:57:14,710
Shit, Conflict.

1005
00:57:14,876 --> 00:57:17,210
Unsatisfied desires, fears,

1006
00:57:17,376 --> 00:57:20,460
useless efforts you may be making.

1007
00:57:20,626 --> 00:57:22,460
I'm a real catch.

1008
00:57:22,626 --> 00:57:25,335
- No, Saturn can also tell you...
- Saturn?

1009
00:57:25,501 --> 00:57:28,210
Yes, this card symbolizes
Saturn in Leo.

1010
00:57:28,376 --> 00:57:31,335
It wants to say that you can
solve all this step by step.

1011
00:57:31,501 --> 00:57:34,376
Okay. It makes sense,
but does this have a solution?

1012
00:57:34,543 --> 00:57:37,043
Sure, everything has a solution.
Except Death.

1013
00:57:37,626 --> 00:57:40,210
Future. I'm very curious
about the future.

1014
00:57:40,668 --> 00:57:42,293
- Go.
- Okay.

1015
00:57:43,585 --> 00:57:45,418
Death, jeez!

1016
00:57:45,876 --> 00:57:48,293
- It all has a solution except Death.
- Except Death.

1017
00:57:48,460 --> 00:57:51,710
Exactly. But it's a nice card,

1018
00:57:51,876 --> 00:57:54,460
because it means renewal,

1019
00:57:55,418 --> 00:57:57,835
beginnings, rebirth.

1020
00:57:58,001 --> 00:57:58,960
Yeah?

1021
00:57:59,126 --> 00:58:01,085
- You twist everything, eh?
- No, no, it's the cards.

1022
00:58:01,251 --> 00:58:02,293
Yeah, yeah.

1023
00:58:02,460 --> 00:58:06,585
It can also mean some past
relationship you need to close.

1024
00:58:07,418 --> 00:58:10,710
You have to do it accepting
the pain that entails.

1025
00:58:11,960 --> 00:58:13,585
- Okay.
- Yeah?

1026
00:58:14,251 --> 00:58:17,501
- Everything has its price.
- Yes, for a few dollars more, eh?

1027
00:58:17,668 --> 00:58:19,210
Yes, specifically five euros,

1028
00:58:19,376 --> 00:58:22,085
which you have to send to me
by Bizum right now.

1029
00:58:37,210 --> 00:58:40,376
- It's a shame it's cloudy.
- Did you want to see the stars?

1030
00:58:40,543 --> 00:58:41,960
- Don't you?
- Yes.

1031
00:58:43,043 --> 00:58:46,626
Look. If you want, I can tell you
the constellations.

1032
00:58:46,918 --> 00:58:48,835
- There's...
- You don't have a fucking clue.

1033
00:58:49,126 --> 00:58:50,835
It's cloudy, you'll never know.

1034
00:58:51,126 --> 00:58:54,751
Look, Sagittarius.
There in that cloud...

1035
00:58:54,918 --> 00:58:57,793
Yeah. Look, there on the right,

1036
00:58:57,960 --> 00:59:00,876
- by that branch, Cassiopeia.
- Yeah, sure.

1037
00:59:01,043 --> 00:59:02,376
Cassiopeia is there.

1038
00:59:02,543 --> 00:59:05,418
I'll look up the constellations,
you fake,

1039
00:59:05,585 --> 00:59:06,835
and I'll show you up.

1040
00:59:07,710 --> 00:59:10,543
Can you imagine a load
of shooting stars going by

1041
00:59:10,710 --> 00:59:13,335
and we're missing them
because of the clouds?

1042
00:59:13,501 --> 00:59:15,501
But doesn't that happen
all the time?

1043
00:59:16,043 --> 00:59:17,126
Yes, it does.

1044
00:59:18,543 --> 00:59:19,543
That's true too.

1045
00:59:22,126 --> 00:59:26,543
Did you know their composition
means a different-colored trail?

1046
00:59:27,710 --> 00:59:30,418
- Stele?
- Yes, that tail they leave...

1047
00:59:30,585 --> 00:59:32,543
Yeah, yeah, no,
I know what a stele is.

1048
00:59:37,293 --> 00:59:39,168
- Everything okay?
- Yes.

1049
00:59:39,543 --> 00:59:40,918
<i>I can't live without you,
there's no way...</i>

1050
00:59:41,210 --> 00:59:43,251
This song is wild! I love it!

1051
00:59:43,418 --> 00:59:47,043
- Did you put it on?
- No, it's your Spotify, I think.

1052
00:59:47,793 --> 00:59:50,668
Have you seen my phone?

1053
00:59:50,835 --> 00:59:52,668
Uh... no.

1054
00:59:52,835 --> 00:59:54,043
Before.

1055
00:59:55,543 --> 00:59:58,876
- Can you call me?
- Yes, I'll call.

1056
01:00:00,835 --> 01:00:03,918
- Are you sure it's not there?
- I don't know.

1057
01:00:04,418 --> 01:00:06,293
Look, I think this is it.

1058
01:00:07,585 --> 01:00:08,543
Well...

1059
01:00:11,710 --> 01:00:13,918
- Are you okay?
- Yeah, yeah.

1060
01:00:20,168 --> 01:00:23,335
- I wanted to say something...
- Yes, tell me.

1061
01:00:24,543 --> 01:00:27,168
- Never mind. No, no, no.
- No what?

1062
01:00:27,335 --> 01:00:29,835
- No, no, nothing. It's just... no.
- What, what?

1063
01:00:30,126 --> 01:00:32,501
- No, it's silly. No, no, no.
- Well, I like silly stuff.

1064
01:00:36,168 --> 01:00:40,210
Well, all the time there's...
a buzz.

1065
01:00:40,626 --> 01:00:42,251
- A buzz
- Yes.

1066
01:00:42,626 --> 01:00:44,043
What do you mean, a buzz?

1067
01:00:45,126 --> 01:00:47,460
A buzz, like...

1068
01:00:48,418 --> 01:00:50,918
- What?
- Like we're going to fuck and I...

1069
01:00:51,210 --> 01:00:53,085
Ah, no, no, no.

1070
01:00:53,501 --> 01:00:55,210
- No?
- No.

1071
01:00:55,543 --> 01:00:56,501
No, no.

1072
01:01:00,543 --> 01:01:02,793
Hello, Catalina.

1073
01:01:02,960 --> 01:01:07,876
Whenever you like
we can do our dialogue.

1074
01:01:33,793 --> 01:01:35,668
Maybe...

1075
01:01:36,751 --> 01:01:38,876
- No, like...
- I knew it, I knew it.

1076
01:01:41,793 --> 01:01:43,543
No, that's...

1077
01:01:45,168 --> 01:01:46,543
I'm a bit uncomfortable.

1078
01:01:46,710 --> 01:01:49,460
Do you mind driving me
to a bus stop?

1079
01:01:49,626 --> 01:01:50,626
No.

1080
01:01:50,793 --> 01:01:52,418
- Okay.
- No, no.

1081
01:01:52,585 --> 01:01:53,835
I mean, no, no.

1082
01:01:54,501 --> 01:01:57,626
THE GARDEN OF EARTHLY DELIGHTS

1083
01:02:02,335 --> 01:02:04,085
<i>Fermín, listen, one thing.</i>

1084
01:02:04,543 --> 01:02:07,126
<i>Can we meet tomorrow
at the usual terrace?</i>

1085
01:02:07,293 --> 01:02:10,210
<i>For coffee. Coffee or whatever.</i>

1086
01:02:10,710 --> 01:02:12,085
<i>Right, you'll tell me.</i>

1087
01:02:12,668 --> 01:02:13,876
<i>A big hug.</i>

1088
01:02:47,501 --> 01:02:50,501
Well, what so important
that you had to tell me?

1089
01:02:50,668 --> 01:02:54,126
Well, I'll tell you.
I'm thinking of making a decision,

1090
01:02:54,293 --> 01:02:56,751
a major decision, and I wanted
to talk to you about it

1091
01:02:56,918 --> 01:02:59,251
because you're my best friend,
you know that, right?

1092
01:02:59,418 --> 01:03:01,918
- Yeah, yeah, sure.
- Well...

1093
01:03:05,043 --> 01:03:07,168
I'm thinking of
splitting up with Julieta.

1094
01:03:07,335 --> 01:03:10,751
You're kidding.
But you were the perfect couple.

1095
01:03:10,918 --> 01:03:13,751
- We called you Romeo, remember.
- Perfect, no way.

1096
01:03:13,918 --> 01:03:16,710
I can't take it anymore.
The control, Fermín. The control.

1097
01:03:16,876 --> 01:03:18,835
I can't, it's unbearable.
The control is unbearable.

1098
01:03:19,126 --> 01:03:22,626
Calling me all the time. And since
I have this goddamned hearing aid,

1099
01:03:22,793 --> 01:03:25,710
it's here in my ear all the time.
I sure do admire you.

1100
01:03:25,876 --> 01:03:29,418
You realized in time
and you separated, that's it.

1101
01:03:29,585 --> 01:03:30,960
And I'll tell you something else.

1102
01:03:31,251 --> 01:03:33,460
We don't fuck anymore,
not at all.

1103
01:03:33,626 --> 01:03:35,335
- At your age, Antonio...
- Fuck my age.

1104
01:03:35,501 --> 01:03:39,251
A short while ago we were fucking
like crazy, fucking like crazy.

1105
01:03:39,418 --> 01:03:41,918
What's wrong?
Am I speaking loudly?

1106
01:03:42,210 --> 01:03:44,751
I can't handle this earpiece,
I haven't got the trick yet.

1107
01:03:45,168 --> 01:03:46,918
Goddamn it, really.

1108
01:03:47,210 --> 01:03:49,751
- Excuse me, may I take this?
- Yeah, yeah.

1109
01:03:49,918 --> 01:03:50,918
Thank you.

1110
01:03:51,876 --> 01:03:52,835
Did you notice?

1111
01:03:53,251 --> 01:03:55,710
- What?
- The perfume. That girl's perfume.

1112
01:03:57,460 --> 01:04:00,876
- "The smells I perceive from the wind..."
- Machado.

1113
01:04:01,168 --> 01:04:02,376
No, Miguel Hernandez.

1114
01:04:02,543 --> 01:04:04,960
"My eyes without your eyes
are not eyes,

1115
01:04:05,251 --> 01:04:07,668
- they are lonely anthills".
- Excuse me.

1116
01:04:07,835 --> 01:04:10,626
Yes, what is it?
Take it, I'll look for it here.

1117
01:04:10,793 --> 01:04:12,001
Catalina? Yes. Let's see...

1118
01:04:12,501 --> 01:04:15,126
"My Eyes Without Your Eyes",
a poem by Miguel Hernandez.

1119
01:04:16,501 --> 01:04:20,918
<i>Maybe today's good to do the photos
and the video performance?</i>

1120
01:04:21,543 --> 01:04:25,793
Yes, great, the video performance,
sure, yes, yes, sure.

1121
01:04:25,960 --> 01:04:28,126
<i>I'm kind of like that,
I do it on the fly.</i>

1122
01:04:28,293 --> 01:04:30,293
Yes, I don't mind,
I mean, I also like

1123
01:04:30,460 --> 01:04:32,960
these spontaneous decisions,

1124
01:04:33,251 --> 01:04:35,335
so all this is great, yes, yes.

1125
01:04:35,501 --> 01:04:38,793
<i>- Is it good for you?
- Yes? Okay, right, great.</i>

1126
01:04:38,960 --> 01:04:43,251
At six you say? Okay, right,
right then, yes, yes.

1127
01:04:43,418 --> 01:04:44,960
Okay, see you later.
Ciao, ciao.

1128
01:04:45,376 --> 01:04:46,918
Hey, Antonio, I have to go.

1129
01:04:47,210 --> 01:04:49,418
No, sit down, I'll read you
the rest, it's beautiful.

1130
01:04:49,585 --> 01:04:51,835
It won't take a moment.
Sit down.

1131
01:04:52,126 --> 01:04:54,043
- The ending.
- As we were saying, just the end.

1132
01:04:54,626 --> 01:04:58,835
"The smells I perceive from your wind
and the forgotten image of your track

1133
01:04:59,001 --> 01:05:02,418
that in you love begins
and in me ends".

1134
01:05:02,585 --> 01:05:05,668
- Very nice, very nice.
- Why are you always in a rush?

1135
01:05:05,835 --> 01:05:08,460
Where the hell are you going now?
And you didn't tell me anything.

1136
01:05:08,626 --> 01:05:10,626
You don't listen to me.
What do I do?

1137
01:05:10,793 --> 01:05:13,251
- Do I separate or not?
- Look, let's do this...

1138
01:05:13,668 --> 01:05:15,835
Don't separate, eh?
Don't separate.

1139
01:05:16,126 --> 01:05:19,293
You have to think things over,
give them time.

1140
01:05:19,460 --> 01:05:22,126
They can be done like this,
in the heat of the moment.

1141
01:05:22,293 --> 01:05:24,835
- Heat of the moment, he says.
- Relax. Yes, think it over.

1142
01:05:25,001 --> 01:05:27,335
Here's your glass of ice.

1143
01:05:27,501 --> 01:05:29,126
- The ice is cold?
- Yes, very cold.

1144
01:05:29,293 --> 01:05:30,376
Thanks a lot, thanks a lot.

1145
01:05:30,543 --> 01:05:32,793
Well, okay, I'll think it over.
Right, see you later.

1146
01:05:32,960 --> 01:05:34,168
See you later, man. 'Bye.

1147
01:05:45,918 --> 01:05:48,668
- What's up?
- Pabu, how are you doing?

1148
01:05:48,835 --> 01:05:51,668
- Good. Some beers or what?
- Go, go for it.

1149
01:05:51,835 --> 01:05:54,376
- What time is it?
- No idea. Hold on.

1150
01:05:55,043 --> 01:05:56,085
Twelve.

1151
01:07:00,126 --> 01:07:02,876
- Hello.
- Hey, hi. How are you?

1152
01:07:05,335 --> 01:07:07,335
Well, here's your studio.

1153
01:07:07,876 --> 01:07:09,335
- Wow!
- I'll help you.

1154
01:07:09,501 --> 01:07:10,960
- Yes.
- How marvelous!

1155
01:07:11,251 --> 01:07:13,710
- Yes. Do you like it?
- Please, help.

1156
01:07:13,876 --> 01:07:15,418
In the center of Madrid.

1157
01:07:15,585 --> 01:07:16,793
- There.
- Yes. Yes, yes.

1158
01:07:16,960 --> 01:07:17,960
There, I think.

1159
01:07:19,668 --> 01:07:20,626
<i>Very good.</i>

1160
01:07:21,585 --> 01:07:22,876
I love it.

1161
01:07:24,001 --> 01:07:24,960
Yes.

1162
01:07:27,376 --> 01:07:28,460
Terrific.

1163
01:07:29,460 --> 01:07:30,960
- Sorry, sorry.
- Yes.

1164
01:07:31,126 --> 01:07:33,460
- This is a little...
- Oh, thanks a lot.

1165
01:07:33,626 --> 01:07:35,835
It was covering your eye.

1166
01:07:36,001 --> 01:07:37,210
Carry on.

1167
01:07:37,835 --> 01:07:39,210
Perfect.

1168
01:07:39,960 --> 01:07:42,668
And those there?
I love those.

1169
01:07:42,835 --> 01:07:45,293
No, those are from
a forgotten period.

1170
01:07:45,460 --> 01:07:48,293
I love them and I'd like
to cover all your periods.

1171
01:07:48,460 --> 01:07:50,710
- I love those paintings.
- Really?

1172
01:07:50,876 --> 01:07:52,376
- Yes.
- Well...

1173
01:07:53,376 --> 01:07:56,710
- You're still hooked, right?
- Me? No.

1174
01:07:57,085 --> 01:07:59,126
I mean, do you notice?

1175
01:08:00,501 --> 01:08:03,668
- Because?
- Because... she's pregnant.

1176
01:08:04,876 --> 01:08:07,376
Great! Right?

1177
01:08:07,668 --> 01:08:08,668
It's good, huh?

1178
01:08:08,835 --> 01:08:10,210
- Yeah?
- Yeah.

1179
01:08:10,376 --> 01:08:11,460
Do you know the...?

1180
01:08:13,126 --> 01:08:14,585
You have a call. Your mother.

1181
01:08:16,751 --> 01:08:18,668
- Yes, go ahead.
- Hello, son.

1182
01:08:19,335 --> 01:08:23,043
I'm calling your father
but the phone is off.

1183
01:08:23,210 --> 01:08:24,668
Put him on, go on.

1184
01:08:25,543 --> 01:08:27,126
Oh, you're not at home?

1185
01:08:27,293 --> 01:08:29,126
Jeez, that's a shame.

1186
01:08:29,293 --> 01:08:33,168
No, I wanted to take the Chinese
to him, they're leaving tonight.

1187
01:08:33,335 --> 01:08:36,210
<i>But I'm afraid of going there
and your father's not there.</i>

1188
01:08:36,376 --> 01:08:38,710
<i>- You have keys, don't you?
- Yes, I do,</i>

1189
01:08:38,876 --> 01:08:42,210
but I'm not in Madrid, Mom.
I'm in the country.

1190
01:08:42,751 --> 01:08:45,210
Oh, in the country?
But far away?

1191
01:08:45,918 --> 01:08:46,876
Right.

1192
01:08:47,626 --> 01:08:49,251
Never mind. 'Bye.

1193
01:08:51,543 --> 01:08:53,626
- Is something wrong?
- No.

1194
01:08:54,043 --> 01:08:58,543
Some Chinese want to buy
a painting by my dad or whatever.

1195
01:08:58,710 --> 01:09:01,876
My mom wants me to go there
and open up. It's so...

1196
01:09:02,168 --> 01:09:05,501
Watch the Chinese, they start
by buying your dad's painting

1197
01:09:05,668 --> 01:09:07,460
and end up buying
the whole country.

1198
01:09:08,501 --> 01:09:09,876
<i>That loneliness is heavy.</i>

1199
01:09:10,043 --> 01:09:12,668
- Yes, yes, the truth is...
- That void.

1200
01:09:12,835 --> 01:09:14,251
It turned out well.

1201
01:09:14,418 --> 01:09:16,335
I think it's a bit noisy.

1202
01:09:16,501 --> 01:09:19,168
I'd do it, I don't know,
with more movement.

1203
01:09:19,335 --> 01:09:22,418
- Yes, I think so. I think...
- And this one?

1204
01:09:22,585 --> 01:09:25,626
Wow! This has power,
it's like it's on fire.

1205
01:09:25,793 --> 01:09:28,543
Well, this is also from
a period that I'm over.

1206
01:09:28,710 --> 01:09:31,210
- I'd rather we focused on...
- No, it's decided, this one.

1207
01:09:31,376 --> 01:09:34,001
A red flame, there.

1208
01:09:34,918 --> 01:09:36,543
Perfect.

1209
01:09:36,710 --> 01:09:39,418
Hey, son, one thing.
I've been thinking

1210
01:09:39,585 --> 01:09:41,501
that since you two are so busy,

1211
01:09:41,668 --> 01:09:44,376
tell your dad to forget
about the Chinese.

1212
01:09:44,543 --> 01:09:45,710
We'll leave it.

1213
01:09:45,876 --> 01:09:48,126
I'll sell another painter
in my gallery to them.

1214
01:09:48,293 --> 01:09:51,710
Oh, and when you can,
give me back my 5000 euros.

1215
01:09:52,168 --> 01:09:56,001
Alright? Tell your dad.
Big kiss. 'Bye, son.

1216
01:09:57,626 --> 01:10:00,168
What's that? Borgo, come here.

1217
01:10:00,626 --> 01:10:04,251
No, this is one that I'm...
it's not finished.

1218
01:10:04,418 --> 01:10:05,835
Explain it to me.

1219
01:10:06,001 --> 01:10:09,543
Well, look, this is Spain
emptied out, in a way.

1220
01:10:09,710 --> 01:10:12,918
I imagined technology vanishing

1221
01:10:13,085 --> 01:10:15,210
all over the Iberian Peninsula,

1222
01:10:15,376 --> 01:10:19,543
well, all over the world,
and what's left is nature,

1223
01:10:19,710 --> 01:10:21,501
what there was at
the beginning of it all.

1224
01:10:21,668 --> 01:10:24,335
And "Saturn Devouring His Son"?

1225
01:10:24,501 --> 01:10:28,418
No, that was a silly thing
that occurred to me in...

1226
01:10:28,585 --> 01:10:30,418
No, I'm erasing this now.

1227
01:10:30,585 --> 01:10:34,085
- This is unfinished.
- Borgo, I see a video here, eh?

1228
01:10:34,751 --> 01:10:36,001
Terrific.

1229
01:10:37,460 --> 01:10:39,501
Anyway, I think...

1230
01:10:39,668 --> 01:10:41,835
we've got it, I have to go, girl.

1231
01:10:43,293 --> 01:10:45,126
- Oh, well...
- Thank you so much.

1232
01:10:45,293 --> 01:10:47,751
No, thank you both. Thanks.

1233
01:10:49,293 --> 01:10:52,001
For me, leaving figurative work
behind has been a liberation.

1234
01:10:52,335 --> 01:10:55,668
Yes, because with abstraction
I'm much freer.

1235
01:10:55,835 --> 01:10:59,001
Bringing to light
our unconscious side, right?

1236
01:10:59,293 --> 01:11:02,543
And, for example,
the fact of using color,

1237
01:11:02,710 --> 01:11:06,460
yellow and blue, look,
they're fundamentally...

1238
01:11:07,626 --> 01:11:11,501
This is Javier.
He's a neighbor, a friend,

1239
01:11:11,668 --> 01:11:13,585
and I let him park his bike here.

1240
01:11:13,751 --> 01:11:16,376
- How are you, Javier?
- Fermín.

1241
01:11:16,543 --> 01:11:17,960
- How are you doing?
- Great.

1242
01:11:18,418 --> 01:11:21,210
- How was it in Malaga?
- Spectacular, spectacular.

1243
01:11:22,210 --> 01:11:26,960
We filled the Pompidou
with waves from the open sea.

1244
01:11:27,251 --> 01:11:28,376
Good.

1245
01:11:28,543 --> 01:11:31,585
And the scaffolding
was nine meters high.

1246
01:11:31,751 --> 01:11:34,918
It was crazy. It was a slog,
but it's great.

1247
01:11:35,210 --> 01:11:36,751
- Look, this is a friend of mine.
- How are you?

1248
01:11:36,918 --> 01:11:38,001
- Hello.
- Nice to meet you.

1249
01:11:38,293 --> 01:11:39,251
Catalina.

1250
01:11:40,043 --> 01:11:41,501
- I'm Javier.
- How are you?

1251
01:11:41,668 --> 01:11:43,293
Well, Javier, we were having
a glass of wine.

1252
01:11:43,460 --> 01:11:44,793
Have a glass with us.

1253
01:11:45,251 --> 01:11:47,918
Well, look,
I'm in a terrible hurry.

1254
01:11:48,293 --> 01:11:51,168
I have to pick up
one of my best works

1255
01:11:51,335 --> 01:11:53,043
they've requested for a collective

1256
01:11:53,210 --> 01:11:57,501
and I'm taking one of the best
works I've done in recent years.

1257
01:12:02,376 --> 01:12:05,626
Fermín, I'm leaving the bike.
You don't mind, do you?

1258
01:12:05,793 --> 01:12:07,293
- No, I don't mind.
- Take care of it.

1259
01:12:07,460 --> 01:12:10,626
- I'll take care of it.
- Nice to meet you. See you.

1260
01:12:10,793 --> 01:12:12,210
- See you.
- Right.

1261
01:12:12,376 --> 01:12:14,751
- Well, Fermín, I'm leaving.
- You're leaving? But...

1262
01:12:14,918 --> 01:12:16,876
- Yes. That's it.
- But we haven't had...

1263
01:12:17,168 --> 01:12:19,876
- I'm in a hurry.
- You are? Okay.

1264
01:12:20,168 --> 01:12:23,001
- Well, I'll help you.
- Yes, help me, go on.

1265
01:12:23,168 --> 01:12:26,876
Let's see...
I was thinking that...

1266
01:12:27,043 --> 01:12:30,335
That thing we talked about before,

1267
01:12:30,501 --> 01:12:32,918
the open day, right?

1268
01:12:33,210 --> 01:12:34,751
Yes, well, I'm very busy.

1269
01:12:34,918 --> 01:12:38,626
I've been commissioned to do
some works and I'll be tied up.

1270
01:12:38,793 --> 01:12:39,918
- Really?
- Yes.

1271
01:12:40,085 --> 01:12:42,793
But this is an informal thing, eh?
I mean...

1272
01:12:42,960 --> 01:12:45,710
Sure, sure, but... I don't know.

1273
01:12:45,876 --> 01:12:48,668
- Well, maybe later.
- Your shoelace is untied.

1274
01:12:48,835 --> 01:12:49,876
- Oh, yeah?
- Yes.

1275
01:12:50,043 --> 01:12:51,126
Oh, true.

1276
01:12:51,293 --> 01:12:52,918
- Sorry.
- This way, please.

1277
01:12:53,085 --> 01:12:54,876
- Careful with the...
- Hello.

1278
01:12:59,043 --> 01:13:01,710
Come in, please. Let me introduce...

1279
01:13:01,876 --> 01:13:03,501
Wait, wait. This is yours.

1280
01:13:03,668 --> 01:13:05,835
Wait, wait, I'll help you.

1281
01:13:06,001 --> 01:13:07,710
- Hi, how are you?
- Hi, good afternoon.

1282
01:13:07,876 --> 01:13:10,960
Well, here, go ahead.
He's the artist.

1283
01:13:11,918 --> 01:13:15,876
Presenting the famous artist
Fermín García López.

1284
01:13:22,376 --> 01:13:24,460
Not even three days
and you act like a caveman.

1285
01:13:24,626 --> 01:13:27,626
- But, babe, she was an influencer.
- You don't answer the phone.

1286
01:13:27,793 --> 01:13:30,293
- Sure, but...
- No, you always do this, Fermín.

1287
01:13:30,460 --> 01:13:33,085
The Chinese leave tonight.
This is their only time to come.

1288
01:13:33,751 --> 01:13:35,168
Anyway, never mind.

1289
01:13:35,335 --> 01:13:38,876
As you can see,
it's a very unusual space.

1290
01:13:39,168 --> 01:13:42,293
It's an old car park
converted into a studio.

1291
01:13:42,460 --> 01:13:45,835
Here you see how García López's
work has made a major shift.

1292
01:13:46,001 --> 01:13:48,543
You see? A leap in style.

1293
01:13:48,710 --> 01:13:53,043
In my opinion, his latest works,
these large paintings,

1294
01:13:53,460 --> 01:13:55,710
are a giant step forward

1295
01:13:56,168 --> 01:13:59,418
that's sparking great interest
in international circuits.

1296
01:13:59,585 --> 01:14:01,668
You must forgive us,
they like it a lot,

1297
01:14:01,835 --> 01:14:05,418
but their plane leaves in
a few hours and they have to go.

1298
01:14:05,585 --> 01:14:07,626
Ah, well, of course.

1299
01:14:07,793 --> 01:14:11,585
Can you tell them it's been
a great pleasure for me

1300
01:14:11,751 --> 01:14:16,210
to spend all weekend showing you
Madrid and its surroundings?

1301
01:14:17,251 --> 01:14:19,501
- Okay.
- I'll go with you. Please.

1302
01:14:21,668 --> 01:14:23,001
- Please.
- Thank you.

1303
01:14:24,085 --> 01:14:26,418
- Jeez, these Chinese.
- Shit, man.

1304
01:14:27,001 --> 01:14:29,876
Well, how was it
with that influencer?

1305
01:14:30,168 --> 01:14:31,168
Nothing.

1306
01:14:31,335 --> 01:14:33,585
So-so. Move that way.
Put it there.

1307
01:14:34,085 --> 01:14:37,626
- How was it with yours?
- Fine. Fine, fine.

1308
01:14:37,793 --> 01:14:39,960
I found out that
Estela is pregnant.

1309
01:14:40,251 --> 01:14:42,001
- Jeez.
- It's fine.

1310
01:14:42,293 --> 01:14:44,793
- Hey, I'm happy for her.
- Yes, good.

1311
01:14:44,960 --> 01:14:48,251
- That's love, right?
- Yes. What is?

1312
01:14:48,418 --> 01:14:53,001
That, being happy for her,
not needing her to be yours.

1313
01:14:53,293 --> 01:14:55,626
- If she's doing fine, that's it.
- Sure.

1314
01:14:55,793 --> 01:14:58,710
- Ideally, it'd be with me, but...
- Yes.

1315
01:14:58,876 --> 01:15:01,918
But in the end, if it's not me,
and it's not me,

1316
01:15:02,210 --> 01:15:04,835
be happy as well, right?

1317
01:15:05,001 --> 01:15:07,585
Love is a pretext
to own someone else.

1318
01:15:07,751 --> 01:15:08,960
Yes, that's true.

1319
01:15:09,251 --> 01:15:13,710
So, I'm not the star of
my own movie, right?

1320
01:15:13,876 --> 01:15:16,835
- It's fucked up, but that's it.
- Sure, that's life, Pablo.

1321
01:15:17,543 --> 01:15:19,126
Yes, that's life.

1322
01:15:19,710 --> 01:15:22,918
And I'll have to ask you
for my card.

1323
01:15:23,960 --> 01:15:25,835
- The card, you say?
- Yes.

1324
01:15:26,001 --> 01:15:29,751
But money is for
he who works, Pablo.

1325
01:15:29,918 --> 01:15:32,501
- But Dad, who painted this?
- If you call that painting...

1326
01:15:32,668 --> 01:15:35,210
There are mountains,
a little sea and the peninsula.

1327
01:15:35,376 --> 01:15:38,085
I painted it all. Not like you,
you haven't painted anything.

1328
01:15:38,251 --> 01:15:41,418
Hey, what have you done?
You spend all the time partying.

1329
01:15:41,585 --> 01:15:42,626
Hello?

1330
01:15:43,251 --> 01:15:44,210
Yes?

1331
01:15:44,793 --> 01:15:45,793
What's going on?

1332
01:15:46,835 --> 01:15:48,876
Pablo, did you paint that?

1333
01:15:51,210 --> 01:15:53,335
I knew you were acting weird.

1334
01:15:53,501 --> 01:15:55,418
What's going on?

1335
01:15:55,751 --> 01:15:57,793
This is what's going on.

1336
01:15:57,960 --> 01:15:59,876
- But Fermín...
- Yes.

1337
01:16:00,043 --> 01:16:02,001
- Oh, my goodness!
- I can't paint.

1338
01:16:02,293 --> 01:16:03,835
- Now I understand everything.
- Yes.

1339
01:16:04,001 --> 01:16:07,293
- The Pollocks...
- Drop it with the Pollocks, please.

1340
01:16:07,460 --> 01:16:09,501
- I'm stupid.
- No, look...

1341
01:16:09,668 --> 01:16:11,501
What about those Chinese?
Are they buying...?

1342
01:16:11,668 --> 01:16:13,751
No, how can they buy, Fermin?

1343
01:16:14,168 --> 01:16:17,710
- You looked too alive for them.
- Fuck, I'm sorry, shit.

1344
01:16:17,876 --> 01:16:21,251
And all weekend showing them
around Madrid, I'm up to here.

1345
01:16:21,668 --> 01:16:23,751
Boats in El Retiro, ham...

1346
01:16:23,918 --> 01:16:25,876
flamenco... Look, really.

1347
01:16:26,043 --> 01:16:28,418
Wait, wait,
I'm getting an idea.

1348
01:16:28,585 --> 01:16:31,126
- What?
- No, for the painting, I mean.

1349
01:16:31,543 --> 01:16:33,751
Get the foreigners' point of view.

1350
01:16:33,918 --> 01:16:35,793
Yes, but like a critique,

1351
01:16:35,960 --> 01:16:37,251
put in all the cliches.

1352
01:16:37,418 --> 01:16:40,168
The Holy Week processions,
flamenco...

1353
01:16:40,335 --> 01:16:41,876
Ah, okay. Julio Iglesias...

1354
01:16:42,043 --> 01:16:44,585
Sara Montiel, Lola Flores...

1355
01:16:44,751 --> 01:16:47,793
- The "sardana," the Aragonese "jota"...
- That's right.

1356
01:16:47,960 --> 01:16:51,001
Gazpacho, paella,
the running of the bulls...

1357
01:16:51,168 --> 01:16:52,835
Yes, all that in the center, okay?

1358
01:16:53,293 --> 01:16:56,251
In the present, right?
But what do we do with Paradise?

1359
01:16:56,418 --> 01:16:59,335
- Adam and Eve.
- But Spanish Adam and Eve.

1360
01:16:59,501 --> 01:17:03,251
- The Catholic Monarchs.
- The Catholic Monarchs... Okay.

1361
01:17:03,418 --> 01:17:05,710
And who do we put in Hell?

1362
01:17:05,876 --> 01:17:08,001
I don't know, the creators
of all the cliches,

1363
01:17:08,293 --> 01:17:10,751
- the Black Legend, the English...
- A very good idea.

1364
01:17:10,918 --> 01:17:13,876
Tourists in Benidorm,
scorching themselves like crabs.

1365
01:17:14,168 --> 01:17:16,710
All those gigantic buildings
right on the beach, right?

1366
01:17:16,876 --> 01:17:19,418
- You can't see anything...
- Yes, corruption, construction...

1367
01:17:19,585 --> 01:17:22,335
- Really, guys, I love it.
- Really?

1368
01:17:22,501 --> 01:17:24,251
- I love it.
- Wow!

1369
01:17:25,168 --> 01:17:27,418
- Pablo, I'll ask you something, please.
- Go ahead.

1370
01:17:27,585 --> 01:17:29,293
- Help your dad with this, okay?
- Sure.

1371
01:17:29,460 --> 01:17:30,668
Well...

1372
01:17:31,168 --> 01:17:32,626
Get started.

1373
01:17:33,376 --> 01:17:35,293
- We've got it.
- We've got it.

1374
01:17:35,710 --> 01:17:36,918
Get painting.

1375
01:17:37,626 --> 01:17:38,585
'Bye.

1376
01:17:38,751 --> 01:17:40,085
- Ciao, Mom.
- Ciao, ciao.

1377
01:18:28,585 --> 01:18:29,876
Where's your mother?

1378
01:18:30,043 --> 01:18:32,210
I don't know.
She's usually punctual.

1379
01:18:44,543 --> 01:18:47,876
Good evening. Welcome.

1380
01:18:48,168 --> 01:18:51,418
The day has come to shake up
the history of art.

1381
01:18:51,585 --> 01:18:54,918
Next, I'm going to announce
the selected artists

1382
01:18:55,085 --> 01:18:57,376
who will do a version
for our collection

1383
01:18:57,543 --> 01:19:01,585
of Bosch's masterpiece
"The Garden of Earthly Delights".

1384
01:19:03,501 --> 01:19:07,251
First, the Dutch collective SMACK

1385
01:19:07,418 --> 01:19:09,543
with their work "Speculum".

1386
01:19:14,085 --> 01:19:18,376
Mu Pan with "Mu Pan's Garden
of Earthly Delight".

1387
01:19:22,210 --> 01:19:23,501
What a hoo-ha this is.

1388
01:19:24,376 --> 01:19:28,126
Sholim with "Heaven X Hell Series".

1389
01:19:33,418 --> 01:19:37,001
Cassie McQuater with "Angela's Flood".

1390
01:19:40,793 --> 01:19:41,751
And finally...

1391
01:19:45,335 --> 01:19:49,460
Catalina Björk with her work
"Emptied Spain",

1392
01:19:49,626 --> 01:19:53,501
a video-performance that is
an axe blow to our social conscience,

1393
01:19:53,668 --> 01:19:55,710
the abandonment of rural areas

1394
01:19:55,876 --> 01:19:58,710
and its impact on the woman
in the 21st century.

1395
01:20:41,085 --> 01:20:42,043
Son.

1396
01:20:42,210 --> 01:20:45,001
Mom, where were you?
We didn't win.

1397
01:20:45,293 --> 01:20:47,918
I know, I heard a whisper.
I've sold it.

1398
01:20:48,085 --> 01:20:50,876
- What? To whom?
- "Earthly Delights", to the Chinese.

1399
01:20:51,043 --> 01:20:54,543
- I've been calling you...
- Hold on. To the Chinese?

1400
01:20:54,710 --> 01:20:56,210
But didn't you say he looked
too young to them?

1401
01:20:56,376 --> 01:20:57,960
Sure, I told them
your dad had a heart attack.

1402
01:20:58,251 --> 01:20:59,710
- What?
- I had no choice.

1403
01:20:59,876 --> 01:21:02,460
- Where is he?
- He went to the bathroom a while ago.

1404
01:21:02,626 --> 01:21:03,793
- Oh, really?
- Yes.

1405
01:21:03,960 --> 01:21:05,376
I think the Catalina thing
has upset him.

1406
01:21:05,543 --> 01:21:07,501
Oh, my God, don't tell me.

1407
01:21:07,668 --> 01:21:10,793
- We have to find him before...
- Before what?

1408
01:21:10,960 --> 01:21:11,918
Really!

1409
01:21:45,793 --> 01:21:47,418
What is this?

1410
01:21:48,710 --> 01:21:49,668
But...

1411
01:21:51,085 --> 01:21:52,751
- My God!
- What have you done?

1412
01:21:53,168 --> 01:21:54,376
What is this?

1413
01:21:54,793 --> 01:21:56,418
But, Fermín...

1414
01:21:58,710 --> 01:21:59,710
And he stands there...

1415
01:22:00,210 --> 01:22:01,668
gawking.

1416
01:22:09,001 --> 01:22:10,376
- What is this?
- What have you done, Dad?

1417
01:22:10,543 --> 01:22:12,835
Oh well, fire is purifying.

1418
01:22:13,001 --> 01:22:15,710
It reminds us how ephemeral
life and art are.

1419
01:22:17,168 --> 01:22:19,376
The painting was sold, Fermín.

1420
01:22:19,543 --> 01:22:21,293
- This painting was sold?
- Yes!

1421
01:22:21,460 --> 01:22:24,001
- But to whom?
- To the Chinese! The Chinese!

1422
01:22:24,168 --> 01:22:26,001
But didn't they say
I was too alive?

1423
01:22:26,168 --> 01:22:29,960
Right, but in life you have to
keep at it sometimes, got it?

1424
01:22:30,668 --> 01:22:32,043
Really...

1425
01:22:34,043 --> 01:22:35,501
What's he doing now?

1426
01:22:38,918 --> 01:22:40,376
Hey, Pablo.

1427
01:22:41,251 --> 01:22:42,918
What are you doing?

1428
01:22:43,085 --> 01:22:44,835
What I should've done
a long time ago.

1429
01:22:45,001 --> 01:22:46,460
- Estela?
- Yes, sir.

1430
01:22:46,626 --> 01:22:47,876
Well done.

1431
01:22:48,043 --> 01:22:50,543
What have I done for you two
to turn out to be such assholes?

1432
01:22:50,710 --> 01:22:53,543
I don't understand.
Look what you've done, Fermín.

1433
01:22:53,710 --> 01:22:55,501
Look... Look... Right?

1434
01:22:56,085 --> 01:22:58,251
- Hey...
- Hey, if you look at it...

1435
01:22:58,418 --> 01:22:59,793
- It's nice.
- Yes.

1436
01:22:59,960 --> 01:23:02,710
- It's got...
- Yes, these blues here,

1437
01:23:02,876 --> 01:23:06,251
with the complementary yellow,
it looks good, doesn't it?

1438
01:23:06,626 --> 01:23:08,876
Splashed, but also with...

1439
01:23:09,376 --> 01:23:12,210
a figurative part.

1440
01:23:12,501 --> 01:23:18,085
- It actually... gets to me.
- Yeah, yeah.

1441
01:23:18,251 --> 01:23:20,668
I'm thinking like
a gallery owner.

1442
01:23:20,835 --> 01:23:22,960
- It has a touch of Pollock.
- Yes.

1443
01:23:23,376 --> 01:23:26,251
- It's García López's new stage.
- Yes.

1444
01:23:27,210 --> 01:23:30,543
Thanks to me, of course.
My stamp is on it.

1445
01:23:30,710 --> 01:23:32,710
- Well, me too.
- Hey, you understand.

1446
01:23:32,876 --> 01:23:34,793
Hey, who painted this?

1447
01:23:34,960 --> 01:23:36,543
Yes, but who had the idea?

1448
01:23:36,710 --> 01:23:38,918
- Yes, and who finished it off?
- You burned it.

1449
01:23:39,085 --> 01:23:41,501
- Well...
- As a gallery owner...

1450
01:23:43,001 --> 01:23:46,918
We now go to the last lot
of the afternoon, number 127.

1451
01:23:47,085 --> 01:23:50,460
A triptych by Fermín García López.

1452
01:23:50,626 --> 01:23:52,835
The title:
"The Delights of the Garden".

1453
01:23:53,001 --> 01:23:55,710
Price covered on the web
at 10,500 euros.

1454
01:23:55,876 --> 01:23:57,876
Who bids 11,000?

1455
01:23:59,001 --> 01:24:02,751
The bid is 11,000.
Who bids 11,500?

1456
01:24:04,085 --> 01:24:06,626
The bid is 11,500.

1457
01:24:06,793 --> 01:24:08,793
Who raises to 12,000?

1458
01:24:10,668 --> 01:24:13,085
12,000 euros,
12,000 euros here.

1459
01:24:13,251 --> 01:24:14,626
Who raises the bid?

1460
01:24:14,793 --> 01:24:17,460
Remember we're dealing with
a recent work by the creator

1461
01:24:17,626 --> 01:24:20,293
that attempts to integrate
the initial figurative period...

1462
01:24:20,918 --> 01:24:23,085
When do the Chinese stand down?

1463
01:24:26,335 --> 01:24:28,543
Who raises the bid?

1464
01:24:29,335 --> 01:24:30,751
20,000.

1465
01:24:31,168 --> 01:24:32,668
Did you say 20,000?

1466
01:24:32,835 --> 01:24:35,210
Now the bid will be...

1467
01:24:36,126 --> 01:24:39,418
28,000. Who bids 28,000?

1468
01:24:42,293 --> 01:24:47,043
28,000 there.
Who bids 36,000?

1469
01:24:48,751 --> 01:24:53,918
36,000 euros for this marvel
by Fermín García López.

1470
01:24:54,085 --> 01:24:56,460
The bid will be 44,000.

1471
01:24:56,626 --> 01:24:58,585
Who bids 44.000?

1472
01:24:59,293 --> 01:25:02,668
- 50,000.
- 50,000. You said 50,000.

1473
01:25:04,251 --> 01:25:06,335
The next minimum bid
will have to be...

1474
01:25:06,501 --> 01:25:09,460
Antonio, please,
stop there, stop there, damn it.

1475
01:25:09,626 --> 01:25:11,585
64,000.

1476
01:25:12,251 --> 01:25:14,168
Does anyone bid 64,000?

1477
01:25:14,668 --> 01:25:15,710
No?

1478
01:25:16,210 --> 01:25:18,501
We return to 50.
50,000 going once.

1479
01:25:19,960 --> 01:25:22,210
50,000 going twice.

1480
01:25:24,335 --> 01:25:27,751
64,000 in the room,
ladies and gentlemen.

1481
01:25:27,918 --> 01:25:31,418
I know this lot was going
to be a big success.

1482
01:25:32,626 --> 01:25:35,501
64,000 euros.

1483
01:25:35,668 --> 01:25:37,918
We go for 78,000.

1484
01:25:38,085 --> 01:25:40,751
Anyone for 78,000?

1485
01:25:41,418 --> 01:25:44,376
No? We go back to 64,000.
64,000 going once.

1486
01:25:45,335 --> 01:25:47,543
64,000 going twice.

1487
01:25:48,251 --> 01:25:51,793
64,000 going... 78,000.

1488
01:25:51,960 --> 01:25:54,793
A bid of 78,000 euros here,
ladies and gentlemen.

1489
01:25:55,501 --> 01:25:57,876
Very well, 78,000 going once.

1490
01:25:58,668 --> 01:26:00,543
78,000 going twice.

1491
01:26:00,918 --> 01:26:03,001
Sold!

1492
01:26:03,293 --> 01:26:06,751
It's the most anyone's paid
for my work.

1493
01:26:06,918 --> 01:26:08,335
Yes, well, don't get your hopes up,

1494
01:26:08,501 --> 01:26:10,543
anything over 50.000
you have to give back.

1495
01:26:10,710 --> 01:26:12,126
- Are you sure?
- I am.

1496
01:26:12,293 --> 01:26:16,210
- At least you can pay the taxman.
- Yes, it's a relief, but...

1497
01:26:17,126 --> 01:26:19,751
Well, lighten up,
it didn't go too badly.

1498
01:26:19,918 --> 01:26:22,918
I will when you've painted
all you have to paint.

1499
01:26:24,501 --> 01:26:28,418
ONE YEAR LATER

1500
01:26:29,335 --> 01:26:33,626
I gave him the idea
of the burns, right?

1501
01:26:33,793 --> 01:26:35,001
- Yes.
- You?

1502
01:26:35,293 --> 01:26:36,668
- Yes, me.
- But...

1503
01:26:36,835 --> 01:26:40,210
Shit, when I told you about
the Royal Alcázar fire. Remember?

1504
01:26:40,376 --> 01:26:43,876
- Okay, the fire purifies thing.
- Exactly.

1505
01:26:44,043 --> 01:26:45,585
Fire purifies.
Yes, I said it.

1506
01:26:45,751 --> 01:26:47,710
Excuse me, Fermín.

1507
01:26:47,876 --> 01:26:50,918
Fermín, sublime,
spectacular what you've done.

1508
01:26:51,210 --> 01:26:53,001
Brilliant, noteworthy.

1509
01:26:53,168 --> 01:26:55,210
- You'll go down in posterity with this.
- Gosh.

1510
01:26:55,376 --> 01:26:58,668
This shift you've made,
I'm stunned. Well done.

1511
01:26:58,835 --> 01:27:01,668
Excuse me, Javier,
this is my wife.

1512
01:27:01,835 --> 01:27:03,585
I don't if I've ever introduced you.
Julieta, Javier de Juan.

1513
01:27:03,751 --> 01:27:05,918
- Five or six times. I'll kiss you.
- Yes. Yes.

1514
01:27:06,335 --> 01:27:07,793
Hey, please.

1515
01:27:07,960 --> 01:27:09,460
What's more, the last time
we saw each other

1516
01:27:09,626 --> 01:27:12,460
was at your exhibition,
the Conde Duque opening.

1517
01:27:12,626 --> 01:27:15,293
Excuse me, I must tell
Fermín something.

1518
01:27:16,835 --> 01:27:19,543
I'm so grateful for
the advice you gave me.

1519
01:27:19,710 --> 01:27:20,668
Really?

1520
01:27:20,835 --> 01:27:23,043
Because indeed
what you need is dialogue.

1521
01:27:23,335 --> 01:27:25,668
That's the key. To approach
the other person and dialogue.

1522
01:27:25,835 --> 01:27:27,876
So Julieta and I are now
much better than before

1523
01:27:28,043 --> 01:27:30,751
because we talk about everything,
all very calmly.

1524
01:27:30,918 --> 01:27:34,376
- I'm so glad, Antonio.
- You deserve it too.

1525
01:27:34,543 --> 01:27:36,460
- Really?
- Yes, you deserve to be happy.

1526
01:27:36,626 --> 01:27:38,668
To have a relationship again.

1527
01:27:39,210 --> 01:27:41,793
- Yes, I'd have to...
- Why don't you get back with Pepa?

1528
01:27:41,960 --> 01:27:43,960
She's a smart lady.
Look what she set up for you here.

1529
01:27:44,126 --> 01:27:46,460
- With Pepa?
- With Pepa, sure.

1530
01:27:46,918 --> 01:27:49,918
You know her.
You have to smooth things over,

1531
01:27:50,085 --> 01:27:51,751
- but you should get back with her.
- Really?

1532
01:27:51,918 --> 01:27:53,335
- Yes.
- But now...

1533
01:27:53,501 --> 01:27:55,835
Sure, try it now.
Try it, go on.

1534
01:27:56,001 --> 01:27:58,418
Listen to me, Fermín,
listen to me.

1535
01:27:59,668 --> 01:28:01,918
- Congratulations, girl.
- Thank you.

1536
01:28:02,376 --> 01:28:03,418
Goodbye.

1537
01:28:03,585 --> 01:28:06,710
You must be happy.
Sold out on opening day.

1538
01:28:06,876 --> 01:28:09,835
- And at those prices.
- Yes, we're even with the Chinese.

1539
01:28:10,001 --> 01:28:12,168
From now on, all money.

1540
01:28:12,335 --> 01:28:15,085
Yes, but don't you relax.
There are taxes to pay, remember.

1541
01:28:15,251 --> 01:28:16,835
But I paid them.

1542
01:28:17,335 --> 01:28:19,543
On the paintings you've just sold.
The taxes on the paintings.

1543
01:28:19,710 --> 01:28:22,043
I haven't seen a cent,
let the Chinese pay.

1544
01:28:22,210 --> 01:28:25,001
Don't complain,
you're a sought-after painter again.

1545
01:28:25,168 --> 01:28:28,043
Yes, that's true.
All thanks to you.

1546
01:28:31,001 --> 01:28:33,251
Hey, that perfume is new, isn't it?

1547
01:28:33,668 --> 01:28:35,293
- I don't know, no.
- No?

1548
01:28:35,460 --> 01:28:36,960
No, I don't know.

1549
01:28:37,126 --> 01:28:40,626
"The smells I perceive from your wind..."

1550
01:28:41,043 --> 01:28:42,085
No.

1551
01:28:42,251 --> 01:28:44,918
- "My eyes without your eyes..."
- What's wrong with my eyes?

1552
01:28:45,210 --> 01:28:47,918
No, "My eyes without your eyes
are not eyes,

1553
01:28:48,210 --> 01:28:51,210
- but lonely anthills".
- Ah, Fermín...

1554
01:28:51,376 --> 01:28:53,960
Yes, but "the smells I perceive
from your wind..."

1555
01:28:54,126 --> 01:28:56,960
Wait, I'll look it up here.

1556
01:28:57,710 --> 01:29:00,918
Miguel Hernández,
"My Eyes Are Your Eyes".

1557
01:29:01,085 --> 01:29:02,293
Please, Fermín,
you're acting so weird.

1558
01:29:02,460 --> 01:29:04,585
No, here, I've got it here.

1559
01:29:04,751 --> 01:29:07,501
- "The smells I perceive from your wind..."
- Excuse me.

1560
01:29:07,668 --> 01:29:09,668
"And the forgotten image
of your track

1561
01:29:09,835 --> 01:29:12,626
that in you love begins...

1562
01:29:14,210 --> 01:29:15,960
- and in me ends".
- Artist.

1563
01:29:16,626 --> 01:29:19,335
- What's wrong?
- No, nothing.

1564
01:29:19,501 --> 01:29:22,001
You're pale.
Oh, didn't you know?

1565
01:29:22,960 --> 01:29:25,460
- No, no, no.
- With the Chinese...

1566
01:29:26,085 --> 01:29:29,460
Fermín, congratulations.
It blows my mind, eh?

1567
01:29:29,626 --> 01:29:32,585
The "Burnt Spain" thing
is absolute genius.

1568
01:29:32,751 --> 01:29:34,668
- Thanks.
- Hey, I want one.

1569
01:29:34,835 --> 01:29:36,626
It'd look terrific
in my living room, eh?

1570
01:29:36,793 --> 01:29:38,335
- Your living room?
- Yes.

1571
01:29:38,501 --> 01:29:41,418
I know they're all sold, for sure,
it's what you deserve,

1572
01:29:41,585 --> 01:29:44,876
but maybe you have a waiting list
in case someone drops out?

1573
01:29:45,043 --> 01:29:47,335
Yes, we'll put you first
on the waiting list.

1574
01:29:47,501 --> 01:29:50,043
Thank you, I'll call
every Monday at 12 o'clock

1575
01:29:50,335 --> 01:29:51,835
- I want my painting.
- Yes, yes.

1576
01:29:52,001 --> 01:29:53,835
- Thanks, Fermin. Congratulations.
- See you later.

1577
01:29:54,793 --> 01:29:57,668
Congratulations, you've gone from
the bathroom to the living room.

1578
01:29:57,835 --> 01:29:58,876
Yes.

1579
01:29:59,626 --> 01:30:01,543
- Well, see you later.
- See you later.

1580
01:30:01,710 --> 01:30:03,210
- Very nice paintings, eh?
- Yes, yes.

1581
01:30:03,710 --> 01:30:05,335
- Goodbye.
- 'Bye.

1582
01:30:07,043 --> 01:30:10,543
Well, I guess I'm liberated now.
I'm free.

1583
01:30:10,710 --> 01:30:13,418
- What?
- I can paint under my name, right?

1584
01:30:13,585 --> 01:30:15,626
Look, Pablo,
you didn't get it at all.

1585
01:30:15,793 --> 01:30:17,501
I'm starting to be
sought-after now.

1586
01:30:17,668 --> 01:30:20,001
Now we can start
making money, both of us.

1587
01:30:20,293 --> 01:30:22,960
No, but at some point
I'll have to paint, won't I?

1588
01:30:23,251 --> 01:30:25,918
- I'm a painter too.
- But why? Don't you want money?

1589
01:30:26,085 --> 01:30:28,293
Yes, I want to make money,
but shit,

1590
01:30:28,460 --> 01:30:31,960
I don't want to be in
Fermín's shadow forever.

1591
01:30:32,126 --> 01:30:34,710
In the shadow?
I've got the brand, Pablo.

1592
01:30:34,876 --> 01:30:39,460
It's a way to make money
for the family, for fuck's sake.

1593
01:30:39,626 --> 01:30:43,376
A way to make money,
sure, all this brand stuff,

1594
01:30:43,543 --> 01:30:46,960
- but I painted this.
- Look, I don't care,

1595
01:30:47,251 --> 01:30:49,710
I can get painters
to paint this...

1596
01:30:49,876 --> 01:30:51,626
- Anybody.
- Oh, yeah?

1597
01:30:51,793 --> 01:30:53,710
Yes, like all the great painters,
like Jeff Koons.